Richard Strauss, Coronation Brass Ensemble, Paul Wynne Griffiths's 'Wiener Philharmoniker Fanfare, TrV 248 (Arr. Mealor)' came out on May 6, 2023. The duration of Wiener Philharmoniker Fanfare, TrV 248 (Arr. Mealor) is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Wiener Philharmoniker Fanfare, TrV 248 (Arr. Mealor)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 66 in the song's album "The Official Album of The Coronation: The Complete Recording". In this album, this song's track order is #44. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Wiener Philharmoniker Fanfare, TrV 248 (Arr. Mealor) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Wiener Philharmoniker Fanfare, TrV 248 (Arr. Mealor) by Richard Strauss, Coronation Brass Ensemble, Paul Wynne Griffiths having a テンポ of 95 with a half-time of 48 テンポ and a double-time of 190 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
God of Our Fathers | Claude T. Smith, Concordia University Chicago Wind Symphony, Richard R. Fischer | C Minor | 1 | 5A | 76 BPM | ||
Suite de Symphonies: I. Rondeau | Jean-Joseph Mouret, Chicago Brass Quintet | B♭ Major | 2 | 6B | 171 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): IV. Farandole | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 3 | 10B | 91 BPM | ||
The Rakes Of Mallow - Mono | Leroy Anderson | G Major | 4 | 9B | 78 BPM | ||
An English Suite: VI. Air | Hubert Parry, London Symphony Orchestra, Sir Adrian Boult | G Major | 0 | 9B | 91 BPM | ||
Aida / Act 2: Grand March | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | E♭ Major | 0 | 5B | 110 BPM | ||
English Folk Song Suite: I. March (Seventeen Come Sunday) | Ralph Vaughan Williams, North Texas Wind Symphony, Eugene Migliaro | F Minor | 3 | 4A | 120 BPM | ||
Hino 158 - 3T Brass Band | 3T Brass | E♭ Major | 0 | 5B | 80 BPM | ||
Feuersnot, Op. 50, TrV 203: Love Scene | Richard Strauss, Neeme Järvi, Royal Scottish National Orchestra | E♭ Major | 1 | 5B | 131 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM |