Ralph Vaughan Williams, North Texas Wind Symphony, Eugene Migliaro made "English Folk Song Suite: I. March (Seventeen Come Sunday)" available on January 1, 2006. The duration of English Folk Song Suite: I. March (Seventeen Come Sunday) is about 3 minutes long, at 3:25. Based on our data, "English Folk Song Suite: I. March (Seventeen Come Sunday)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 1 out of 16 in Composer's Collection: Ralph Vaughan Williams by Ralph Vaughan Williams, North Texas Wind Symphony, Eugene Migliaro. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, English Folk Song Suite: I. March (Seventeen Come Sunday)'s popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of English Folk Song Suite: I. March (Seventeen Come Sunday) by Ralph Vaughan Williams, North Texas Wind Symphony, Eugene Migliaro is Moderato (at a moderate speed), since this song has a tempo of 120 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Moorside Suite, H. 173: III. March | Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon | F Minor | 2 | 4A | 124 BPM | ||
Amen! | Carlos Simon, North Texas Wind Symphony, Eugene Migliaro Corporon | B♭ Minor | 2 | 3A | 128 BPM | ||
Sonoran Desert Holiday | Ron Nelson, Dallas Wind Symphony, Jerry Junkin | D Major | 1 | 10B | 69 BPM | ||
The Ascension | Robert W. Smith, Oslo Janitsjar | C Minor | 1 | 5A | 102 BPM | ||
Paris Sketches: No. 2. Pigalle | Martin Ellerby, North Texas Wind Symphony, Eugene Migliaro Corporon | D Major | 3 | 10B | 146 BPM | ||
Divertimento, Op. 42: V. Soliloquy | Vincent Persichetti, North Texas Wind Symphony, Eugene Migliaro Corporon | B♭ Minor | 0 | 3A | 140 BPM | ||
IV. Fantasia on the "Dargason"; Allegro Moderato (Second Suite in F for Military Band) | Air Combat Command Heritage Of America Band | F Major | 0 | 7B | 74 BPM | ||
Re(new)al: II. Wind | Viet Cuong, North Texas Wind Symphony, Eugene Migliaro Corporon, José Aponte, Mark Ford, Paul Rennick, Sandi Rennick | C Minor | 1 | 5A | 145 BPM | ||
The Beltway Jam | Jack Stamp, North Texas Wind Symphony, Eugene Migliaro Corporon | B♭ Major | 3 | 6B | 107 BPM | ||
Albanian Dance | Shelley Hanson, Rutgers Wind Ensemble, William Berz | A♭ Major | 4 | 4B | 96 BPM |