Malcolm Arnold, London Philharmonic Orchestra made "Four Scottish Dances, Op. 59 - Produced" available on 1988. The duration of Four Scottish Dances, Op. 59 - Produced is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Four Scottish Dances, Op. 59 - Produced's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Malcolm Arnold, London Philharmonic Orchestra's "MALCOLM ARNOLD: Four Scottish Dances- Symphony No. 3" album is number 2 out of 7. Based on our statistics, Four Scottish Dances, Op. 59 - Produced's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Four Scottish Dances, Op. 59 - Produced by Malcolm Arnold, London Philharmonic Orchestra to be Vivace (lively and fast) because the track has a tempo of 158 テンポ, a half-time of 79テンポ, and a double-time of 316 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roman Carnival Overture, Op. 9, H. 95 | Hector Berlioz, Charles Münch | A Major | 3 | 11B | 90 BPM | ||
Canon | Johann Pachelbel, David Parry, London Philharmonic Orchestra | D Major | 3 | 10B | 137 BPM | ||
Holst: The Planets, Op. 32: III. Mercury, the Winged Messenger | Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra | F Major | 2 | 7B | 123 BPM | ||
Journey In the Dark (The Mines Fo Moria-The Bridge of Khazad-Dûm) | Johan de Meij | D Major | 0 | 10B | 55 BPM | ||
Diablo III: Overture | Crouch End Festival Chorus, London Philharmonic Orchestra | D Major | 3 | 10B | 72 BPM | ||
English Folk Song Suite (arr. G. Jacob): III. Intermezzo, "My Bonny Boy" | Ralph Vaughan Williams, Gordon Jacob, Royal Liverpool Philharmonic Orchestra, James Judd | C Minor | 0 | 5A | 92 BPM | ||
Pomp and Circumstance Marches, Op. 39: March No. 4 in G Major | Edward Elgar, London Philharmonic Orchestra, Sir Georg Solti | G Major | 3 | 9B | 118 BPM | ||
Peer Gynt Suite No. 1, Op. 46: Morning Mood | London Philharmonic Orchestra | E Major | 1 | 12B | 132 BPM | ||
Suite française : I. Normandie | Gérard Besse, Denis Fourio, Big Band des équipages de la flotte de Toulon | B♭ Major | 3 | 6B | 128 BPM | ||
Four Scottish Dances Op. 59 | US Army Band | D Major | 1 | 10B | 71 BPM |