"English Folk Song Suite (arr. G. Jacob): III. Intermezzo, "My Bonny Boy"" by Ralph Vaughan Williams, Gordon Jacob, Royal Liverpool Philharmonic Orchestra, James Judd was released on November 17, 2009. The duration of English Folk Song Suite (arr. G. Jacob): III. Intermezzo, "My Bonny Boy" is about 3 minutes long, at 3:12. Based on our data, "English Folk Song Suite (arr. G. Jacob): III. Intermezzo, "My Bonny Boy"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vaughan Williams, R.: Piano Concerto by Ralph Vaughan Williams, James Judd. The song's track number on the album is #11 out of 13 tracks. In terms of popularity, English Folk Song Suite (arr. G. Jacob): III. Intermezzo, "My Bonny Boy" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since English Folk Song Suite (arr. G. Jacob): III. Intermezzo, "My Bonny Boy" by Ralph Vaughan Williams, Gordon Jacob, Royal Liverpool Philharmonic Orchestra, James Judd has a tempo of 92 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With English Folk Song Suite (arr. G. Jacob): III. Intermezzo, "My Bonny Boy" being at 92 テンポ, the half-time would be 46 テンポ with a double-time of 184 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1: I. Prelude, Act 1 | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | D Major | 1 | 10B | 134 BPM | ||
Five Variants of ‘Dives and Lazarus’ | Ralph Vaughan Williams, Hallé, Sir Mark Elder | B Minor | 1 | 10A | 71 BPM | ||
Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | F Major | 5 | 7B | 167 BPM | ||
Samson et Dalila, Op. 47, R. 288 / Act 3: Bacchanale | Camille Saint-Saëns, Orchestre de Paris, Daniel Barenboim | B Major | 3 | 1B | 94 BPM | ||
El amor brujo: Ritual Fire Dance | Manuel de Falla, Fritz Reiner, Chicago Symphony Orchestra | G Major | 1 | 9B | 134 BPM | ||
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, Los Angeles Philharmonic, Zubin Mehta | G Minor | 3 | 6A | 135 BPM | ||
English Folk Song Suite: III. Intermezzo "My Bonny Boy" | Ralph Vaughan Williams, Timothy Reynish, Royal Northern College Of Music Wind Orchestra | C Minor | 0 | 5A | 90 BPM | ||
Two English Idylls | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 89 BPM | ||
English Folk Song Suite (arr. G. Jacob): III. Intermezzo, "My Bonny Boy" | Ralph Vaughan Williams, Gordon Jacob, Royal Liverpool Philharmonic Orchestra, James Judd | C Minor | 0 | 5A | 92 BPM | ||
Crown Imperial | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 3 | 8B | 116 BPM |