"Five Variants of ‘Dives and Lazarus’" by Ralph Vaughan Williams, Hallé, Sir Mark Elder was released on November 3, 2014. Five Variants of ‘Dives and Lazarus’ appears to be safe for all ages as it is not explicit. This song is part of Vaughan Williams: Pastoral Symphony by Ralph Vaughan Williams, Sir Mark Elder, Hallé. The song's track number on the album is #6 out of 7 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Five Variants of ‘Dives and Lazarus’ is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Five Variants of ‘Dives and Lazarus’ by Ralph Vaughan Williams, Hallé, Sir Mark Elder has a tempo of 71 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Five Variants of ‘Dives and Lazarus’ being at 71 テンポ, the half-time would be 36 テンポ with a double-time of 142 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nisi Dominus, RV 608: 4. Cum dederit dilectis suis (Arr. Cello) | Antonio Vivaldi, Harriet Krijgh, Amsterdam Sinfonietta, Candida Thompson | G Minor | 0 | 6A | 106 BPM | ||
Mother Goose: V. The Fairy Garden | Maurice Ravel, St. Petersburg Philharmonic Orchestra, Yuri Temirkanov | B♭ Major | 3 | 6B | 124 BPM | ||
Romance for String Orchestra, Op.11 | Gerald Finzi, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 1 | 4B | 80 BPM | ||
3 Morceaux, Op. 11: I. Prelude in B Minor (arranged for cello and piano) | Anatoly Lyadov, Laura van der Heijden, Petr Limonov | E Minor | 0 | 9A | 88 BPM | ||
Khovanshchina: Dawn on the Moskva River | Modest Mussorgsky, George Szell, Cleveland Orchestra | F♯ Major | 1 | 2B | 99 BPM | ||
Suite from "The Victorian Kitchen Garden": V. Summer. Flowing | Paul Reade, Michael Collins, Michael McHale | E♭ Major | 0 | 5B | 130 BPM | ||
Concertino bianco: 3. Con anima | Georgs Pelēcis, Johannes Fritzsch, Tamara-Anna Cislowska, Tasmanian Symphony Orchestra | C Major | 3 | 8B | 133 BPM | ||
String Quartet No. 1 in D Major, Op. 11, TH 111 - Orchestral Version: II. Andante cantabile | Pyotr Ilyich Tchaikovsky, Mischa Maisky, Orpheus Chamber Orchestra | F♯ Major | 0 | 2B | 90 BPM | ||
Florida Suite: At Night | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | A Major | 0 | 11B | 107 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Hallé, Bramwell Tovey | D Major | 1 | 10B | 101 BPM |