Arthur Sullivan, John Ayldon, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash made "27. A more humane Mikado never did in Japan exist" available on January 1, 1973. With this song being about 5 minutes long, at 4:31, "27. A more humane Mikado never did in Japan exist" by Arthur Sullivan, John Ayldon, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Royal Philharmonic Orchestra, Royston Nash's "Gilbert & Sullivan: The Mikado" album is number 7 out of 37. In terms of popularity, 27. A more humane Mikado never did in Japan exist is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of 27. A more humane Mikado never did in Japan exist by Arthur Sullivan, John Ayldon, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Royston Nash to be Andante (at a walking pace) because the track has a tempo of 98 テンポ, a half-time of 49テンポ, and a double-time of 196 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hoffmanns Erzählungen: Prologue: Aus dem Becher kommt der Trunk | Jacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Chor, Eugen Szenkar | C Major | 3 | 8B | 75 BPM | ||
Carmina Burana / 2. In Taberna: "Olim lacus colueram" | Carl Orff, Louis Devos, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | G Major | 1 | 9B | 172 BPM | ||
HMS Pinafore: Overture | New D'Oyly Carte Opera Orchestra | B♭ Major | 0 | 6B | 138 BPM | ||
Aida: O patria mia | Giuseppe Verdi, Leontyne Price, Oliviero de Fabritiis, Orchestra Del Teatro Dell'Opera Di Roma | F Major | 1 | 7B | 86 BPM | ||
The Pirates of Penzance: Poor Wandr'ing One! | Marilyn Hill Smith | B♭ Major | 2 | 6B | 130 BPM | ||
Sullivan: The Mikado or The Town of Titipu, Act 2: No. 23, Duet, "There is beauty in the bellow of the blast" (Katisha, Ko-Ko) | Arthur Sullivan, Monica Sinclair/Sir Geraint Evans/Pro Arte Orchestra/Sir Malcolm Sargent, Sir Malcolm Sargent, Pro Arte Orchestra | E♭ Major | 2 | 5B | 101 BPM | ||
Songs of Travel: I have trod the upward and the downward slope | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | G Major | 1 | 9B | 69 BPM | ||
I See The Light - From "Tangled" | Royal Philharmonic Orchestra | F Major | 2 | 7B | 94 BPM | ||
Let us garlands bring, Op. 18: O Mistress Mine | Gerald Finzi, Roderick Williams, Iain Burnside | A♭ Major | 1 | 4B | 102 BPM | ||
Simon Boccanegra / Act 1: "Come in quest'ora bruna" (Amelia) | Giuseppe Verdi, Mirella Freni, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | B♭ Major | 1 | 6B | 94 BPM |