David Bowie, Eugene Ormandy's 'Peter and the Wolf, Op. 67: The Hunters Arrive' came out on 1988. With Peter and the Wolf, Op. 67: The Hunters Arrive being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 41 in David Bowie Narrates Peter And The Wolf by David Bowie. Based on our statistics, Peter and the Wolf, Op. 67: The Hunters Arrive's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Peter and the Wolf, Op. 67: The Hunters Arrive by David Bowie, Eugene Ormandy is Allegro (fast, quick, and bright), since this song has a tempo of 143 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite No.1, WD 40: 3. Adagietto | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 0 | 7B | 92 BPM | ||
Symphony No. 5 | Chicago Symphony Orchestra | C Minor | 3 | 5A | 103 BPM | ||
Serenade No. 10 for 13 Winds in B-Flat Major, K. 361 "Gran partita": III. Adagio | Wolfgang Amadeus Mozart, Orchestra of St. Luke's, Sir Charles Mackerras | A♭ Major | 5 | 4B | 78 BPM | ||
L'Oiseau de feu, K010: XI. Lever du jour | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | B♭ Major | 0 | 6B | 103 BPM | ||
La source, ou Naila: Suite No. 2: Suite No. 2: Scene dansee | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 1 | 8B | 102 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): He tells the Bird to distract the Wolf | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 1 | 8B | 154 BPM | ||
Tatiana's Bedroom: Apparition of Onegin - Pas De Deux (Onegin Ballet Suite No 11 & 12) | Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery | B Minor | 0 | 10A | 85 BPM | ||
Le Corsaire: Act II - "4. Grand Pas: Variation: Ali" | Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes | A♭ Major | 1 | 4B | 121 BPM | ||
Capriccio Espagnol, Op. 34: I. Alborada | Nikolai Rimsky-Korsakov, George Szell, Cleveland Orchestra | A Major | 3 | 11B | 127 BPM | ||
Rosen Aus Dem Süden, Op. 388 | Johann Strauss II, Chicago Symphony Orchestra, Fritz Reiner | A Major | 5 | 11B | 113 BPM |