Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard's 'Peter and the Wolf, Op. 67 (Without Narration): He tells the Bird to distract the Wolf' came out on July 3, 2015. With Peter and the Wolf, Op. 67 (Without Narration): He tells the Bird to distract the Wolf being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Prokofiev: Peter and the Wolf, Op. 67 (Without Narration)". In this album, this song's track order is #15. Based on our statistics, Peter and the Wolf, Op. 67 (Without Narration): He tells the Bird to distract the Wolf's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Peter and the Wolf, Op. 67 (Without Narration): He tells the Bird to distract the Wolf by Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard having a テンポ of 154 with a half-time of 77 テンポ and a double-time of 308 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Billy the Kid Suite: III. Mexican Dance and Finale | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 3 | 8B | 141 BPM | ||
Hungarian Dance No.18 in D Major, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Major | 2 | 9B | 139 BPM | ||
The Snow Maiden Suite: Danse des bouffons (Dance of the Clowns) | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Donald Johanos | E♭ Major | 4 | 5B | 97 BPM | ||
Giselle: Act I: Entree joyeuse des vendangeurs et vendangeuses (Entry of the Grape-Pickers) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 0 | 9B | 117 BPM | ||
Prokofiev: Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo (Vivacissimo) | Sergei Prokofiev, Vilde Frang/WDR Sinfonieorchester Köln/Thomas Søndergård, Thomas Søndergård, WDR Sinfonieorchester Köln | A Minor | 2 | 8A | 133 BPM | ||
Cantata "Herz und Mund und Tat und Leben" BWV 147 | Johann Sebastian Bach, Ondrej Lenard | D Minor | 1 | 7A | 113 BPM | ||
Symphonie Fantastique, Op.14, H 48: 5a. Songe d'une nuit du Sabbat - Larghetto - Allegro | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | C Minor | 1 | 5A | 105 BPM | ||
Romeo and Juliet, Op. 64 - Act 2: Folk Dance | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | G Major | 2 | 9B | 122 BPM | ||
Scheherazade: The Ship breaks up against a cliff surmounted by a bronze horseman | Nikolai Rimsky-Korsakov, Joakim Svenheden | A Minor | 5 | 8A | 93 BPM | ||
Le tombeau de Couperin (version for orchestra): No. 4. Rigaudon | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | B♭ Major | 3 | 6B | 93 BPM |