Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel's 'Romeo and Juliet, Op. 64 - Act 2: Folk Dance' came out on January 1, 1973. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 39 in the song's album "Prokofiev: Romeo & Juliet". In this album, this song's track order is #18. Based on our statistics, Romeo and Juliet, Op. 64 - Act 2: Folk Dance's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Romeo and Juliet, Op. 64 - Act 2: Folk Dance by Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel having a テンポ of 122 with a half-time of 61 テンポ and a double-time of 244 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia on Serbian Themes, Op. 6 | Nikolai Rimsky-Korsakov, Moscow Symphony Orchestra, Igor Golovschin | D Major | 0 | 10B | 69 BPM | ||
Adam & Drigo: Le Corsaire: Pas-de-deux - No. 4, Coda (Allegro moderato) | Adolphe Adam, Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern | E♭ Major | 5 | 5B | 83 BPM | ||
Prokofiev: Suite No. 1 from Romeo and Juliet, Op. 64bis: I. Folk Dance | Sergei Prokofiev, Aziz Shokhakimov, Orchestre Philharmonique De Strasbourg | C Major | 2 | 8B | 72 BPM | ||
Appalachian Spring - 1945 Suite: 6. Meno mosso | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | A♭ Major | 0 | 4B | 66 BPM | ||
The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee | Nikolai Rimsky-Korsakov, Philharmonia Orchestra, Vladimir Ashkenazy | D Minor | 0 | 7A | 187 BPM | ||
Variations On A Theme By Haydn, Op.56a: Variation II: Più vivace | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E♭ Minor | 1 | 2A | 107 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Scheherazade: Sinbad's mighty bird, the Roc | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 3 | 9B | 143 BPM | ||
Symphony No. 3 in D Minor: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Ewa Podles, Cracow Boys' Choir, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | C Major | 1 | 8B | 78 BPM | ||
The Planets, Op. 32: II. Venus, the Bringer of Peace | Gustav Holst, Lorin Maazel, L'Orchestre National de France, Orchestre National De France | A♭ Major | 0 | 4B | 139 BPM |