Adolphe Adam, Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern made "Adam & Drigo: Le Corsaire: Pas-de-deux - No. 4, Coda (Allegro moderato)" available on November 8, 2010. With Adam & Drigo: Le Corsaire: Pas-de-deux - No. 4, Coda (Allegro moderato) being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 66 in the song's album "Pas de Deux". In this album, this song's track order is #4. Adam & Drigo: Le Corsaire: Pas-de-deux - No. 4, Coda (Allegro moderato) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Adam & Drigo: Le Corsaire: Pas-de-deux - No. 4, Coda (Allegro moderato) by Adolphe Adam, Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hungarian Dance No.7 in F Hungarian Dance No. 7 in A - Orchestrated by Iván Fischer | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | F Major | 0 | 7B | 74 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 17 (orch. A. Dvorak) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | F♯ Minor | 1 | 11A | 116 BPM | ||
Swan Lake, Op. 20 - Mariinsky Version / Act 2: Danse hongroise. Czardas (Moderato assai - Allegro moderato - Vivace) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | A Minor | 2 | 8A | 79 BPM | ||
Raymonda, Act II: Variation 4 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Major | 0 | 7B | 127 BPM | ||
La Fille Mal Gardee: Pas de (arr. March): Act II: Moderato: Women's variation | March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov | C Major | 0 | 8B | 111 BPM | ||
The Carnival of the Animals, R.125: XIV. Finale | Camille Saint-Saëns, Cologne New Philharmonic, Nataša Majer, Ana Pišpek, Volker Hartung | C Major | 4 | 8B | 101 BPM | ||
Flight of the Bumble Bee | Keith Blainville | B Major | 0 | 1B | 168 BPM | ||
La fille mal gardée / Act 2: 27. Thomas, Alain And The Notaries | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | A Major | 1 | 11B | 130 BPM | ||
Drigo: 4 Airs de Ballet: II. Valse bluette (Arr. for Violin and Piano by Leopold Auer) | Riccardo Drigo, Tasmin Little, Piers Lane | D Major | 1 | 10B | 118 BPM | ||
Paquita: Pas de trois: Allegro | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 100 BPM |