"Raymonda, Act II: Variation 4" by Alexander Glazunov, Kivov Orchestra, Viktor Fedotov was released on January 1, 1996. With Raymonda, Act II: Variation 4 being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Alexander Glazunov, Kivov Orchestra, Viktor Fedotov's "Glazunov: Raymonda" album is number 7 out of 59. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Raymonda, Act II: Variation 4's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Raymonda, Act II: Variation 4 by Alexander Glazunov, Kivov Orchestra, Viktor Fedotov to be Allegro (fast, quick, and bright) because the track has a tempo of 127 テンポ, a half-time of 64テンポ, and a double-time of 254 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Fille Mal Gardee: Pas de (arr. March): Act II: Moderato: Women's variation | March, Peter Ludwig Hertel, Sofia National Opera Orchestra, Boris Spassov | C Major | 0 | 8B | 111 BPM | ||
Le Corsaire: Pas d Escalve - Gulnare variation | Riccardo Drigo, English National Ballet Philharmonic, Gavin Sutherland | E Major | 0 | 12B | 80 BPM | ||
Ivan Susanin: Waltz | Mikhail Glinka, USSR Symphony Orchestra, Yevgeny Svetlanov | A Major | 0 | 11B | 185 BPM | ||
From Holberg's Time, Op. 40: III. Gavotte: Allegretto - Musette: Un poco mosso - Gavotte | Edvard Grieg, Moscow Soloists, Yuri Bashmet | E♭ Major | 2 | 5B | 74 BPM | ||
Act III. Neopolitan dance | Moscow New Philharmonic Orchestra, Vladimir Ponkin | D Major | 3 | 10B | 143 BPM | ||
La bayadère, Act II: "Variazione Gamzatti" | Silvano Belfiore | A♭ Major | 4 | 4B | 86 BPM | ||
Scottish Fantasy, Op.46: Introduction (Grave) | Vanessa-Mae, London Symphony Orchestra, Viktor Fedotov | E♭ Minor | 1 | 2A | 91 BPM | ||
Pictures at an Exhibition: Tuileries | Modest Mussorgsky, George Szell, Cleveland Orchestra | D♭ Major | 0 | 3B | 79 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): V. La garde montante | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM |