"Swan Lake, Op. 20 - Mariinsky Version / Act 2: Danse hongroise. Czardas (Moderato assai - Allegro moderato - Vivace)" by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev was released on January 1, 2007. The duration of Swan Lake, Op. 20 - Mariinsky Version / Act 2: Danse hongroise. Czardas (Moderato assai - Allegro moderato - Vivace) is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Swan Lake, Op. 20 - Mariinsky Version / Act 2: Danse hongroise. Czardas (Moderato assai - Allegro moderato - Vivace)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Tchaikovsky: Swan Lake (highlights)". In this album, this song's track order is #24. Furthermore, we believe that the track originated from United Kingdom. Swan Lake, Op. 20 - Mariinsky Version / Act 2: Danse hongroise. Czardas (Moderato assai - Allegro moderato - Vivace) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Swan Lake, Op. 20 - Mariinsky Version / Act 2: Danse hongroise. Czardas (Moderato assai - Allegro moderato - Vivace) by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Moderato: Men's Variation | Boris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris Spassov | A♭ Major | 1 | 4B | 95 BPM | ||
March for the Shakespeare Festival, Op. 20, JB 1:90 | Bedřich Smetana, Vladimír Válek, Prague Radio Symphony Orchestra | D Major | 1 | 10B | 117 BPM | ||
Hungarian Dance No.15 In B Flat | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | B♭ Major | 1 | 6B | 88 BPM | ||
The Sleeping Beauty, Op. 66, TH.13 / Act 3: 23c. Pas de quatre: Variation II (Polka)(Silver Fairy) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev | A♭ Major | 1 | 4B | 118 BPM | ||
La traviata / Act 2: "Di Provenza il mar, il suol" | Giuseppe Verdi, Dmitri Hvorostovsky, Rotterdam Philharmonic Orchestra, Valery Gergiev | D♭ Major | 2 | 3B | 76 BPM | ||
The Miserly Knight: Scene 2: In a cellar (Largo) | Sergei Rachmaninoff, Gothenburg Symphony Orchestra, Neeme Järvi | A Major | 1 | 11B | 81 BPM | ||
Swan Lake, Op. 20 - Mariinsky Version / Act 1: Scene 2: Danse générale (Tempo di valse) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | A Major | 2 | 11B | 99 BPM | ||
3 Sonetti di Petrarca (1st version), S158/R10b: Sonetto No. 47. Benedetto sia 'lgiorno | Franz Liszt, Jue Wang | C Major | 2 | 8B | 95 BPM | ||
Symphonic Dances, Op.64: 2. No. 2 in A | Edvard Grieg, Philharmonia Orchestra, Raymond Leppard | A Major | 0 | 11B | 115 BPM | ||
Schumann: Symphony No. 4 in D Minor, Op. 120: III. Scherzo (Lebhaft) | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | F Major | 1 | 7B | 81 BPM |