Nikolai Rimsky-Korsakov, Philharmonia Orchestra, Vladimir Ashkenazy made "The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee" available on January 1, 1987. With The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 8 in the song's album "Rimsky-Korsakov: Scheherazade, Tsar Saltan - Suite, The Flight of the Bumble Bee". In this album, this song's track order is #8. The popularity of The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee is currently below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee by Nikolai Rimsky-Korsakov, Philharmonia Orchestra, Vladimir Ashkenazy having a テンポ of 187 with a half-time of 94 テンポ and a double-time of 374 テンポ, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gayaneh: Sabre Dance | Aram Khachaturian, Valery Gergiev, Mariinsky Orchestra | C Major | 6 | 8B | 98 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Rusalka, Op. 114: Song to the Moon | Lesley Garrett, Andrew Greenwood, Philharmonia Orchestra | F♯ Major | 1 | 2B | 106 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti | C Major | 0 | 8B | 65 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18, "Scottish": 2. Vivace non troppo - Live | Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 2 | 7B | 129 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Künstler-Leben (Artists' Life), Op. 316 (RV 316) | Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss | C Major | 1 | 8B | 188 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Idil Biret, Philharmonia Orchestra, James Loughran | D Minor | 3 | 7A | 94 BPM |