Aaron Copland, Leonard Bernstein, New York Philharmonic's 'Billy the Kid Suite: III. Mexican Dance and Finale' came out on 1960. The duration of Billy the Kid Suite: III. Mexican Dance and Finale is about 3 minutes long, at 3:09. Based on our data, "Billy the Kid Suite: III. Mexican Dance and Finale" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 15 out of 21 in Copland: Appalachian Spring, Rodeo, Billy the Kid & Fanfare for the Common Man by Aaron Copland, Leonard Bernstein. Based on our statistics, Billy the Kid Suite: III. Mexican Dance and Finale's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Billy the Kid Suite: III. Mexican Dance and Finale by Aaron Copland, Leonard Bernstein, New York Philharmonic is Allegro (fast, quick, and bright), since this song has a tempo of 141 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Eine Alpensinfonie, Op. 64, TrV 233: XIII. Auf dem Gipfel | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 79 BPM | ||
2 English Idylls: No. 2. English Idyll | George Butterworth, BBC National Orchestra Of Wales, Kriss Russman | C Major | 0 | 8B | 143 BPM | ||
Symphony No. 3 in C Minor, Op. 78, R. 176 "Organ Symphony": IIa. Allegro moderato - Presto - Allegro moderato | Camille Saint-Saëns, Gaston Litaize, Chicago Symphony Orchestra, Daniel Barenboim | D♭ Major | 1 | 3B | 110 BPM | ||
Pictures At An Exhibition: Gnomus | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Major | 0 | 1B | 99 BPM | ||
Symphony No. 1 in D Major "Titan": Ia. Langsam, schleppend | Gustav Mahler, Leonard Bernstein, New York Philharmonic | D Minor | 0 | 7A | 74 BPM | ||
Caucasian Sketches, Op. 10 (Remastered): IV. Procession of the Sardar | Mikhail Ippolitov-Ivanov, Leonard Bernstein, New York Philharmonic | A Major | 4 | 11B | 105 BPM | ||
Carmen Suite No. 1: Prélude. Andante moderato (Prelude to Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | B♭ Major | 2 | 6B | 65 BPM | ||
Flute Concerto No. 2 in D major, K.314/285d: III. Rondo. Allegretto | Wolfgang Amadeus Mozart, Robert Langevin, New York Philharmonic, Bernard Labadie | D Major | 1 | 10B | 123 BPM | ||
Instruments Of The Orchestra: Prokofiev: Peter And The Wolf: The Duck | Jeremy Siepmann | A♭ Major | 0 | 4B | 94 BPM | ||
Brook Green Suite, H. 190: I. Prelude. Allegretto | Gustav Holst, Richard Hickox, City of London Sinfonia | C Major | 1 | 8B | 67 BPM |