"2 English Idylls: No. 2. English Idyll" by George Butterworth, BBC National Orchestra Of Wales, Kriss Russman was released on June 3, 2016. With this song being around four minutes long, at 4:26, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 19 in Butterworth: Orchestral Works & Works for Voice & Orchestra by George Butterworth, James Rutherford, BBC National Orchestra Of Wales, Kriss Russman. Based on our statistics, 2 English Idylls: No. 2. English Idyll's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 2 English Idylls: No. 2. English Idyll by George Butterworth, BBC National Orchestra Of Wales, Kriss Russman is Allegro (fast, quick, and bright), since this song has a tempo of 143 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ancient Cities | Nitin Sawhney, BBC National Orchestra Of Wales | A Minor | 1 | 8A | 117 BPM | ||
Charterhouse Suite: Rondo | Ralph Vaughan Williams, English Northern Philharmonia, David Lloyd-Jones | C Major | 1 | 8B | 55 BPM | ||
Holberg Suite, opus 40: Prelude (Allegro vivace) | Academy of St. Martin in the Fields | G Major | 1 | 9B | 76 BPM | ||
Lemminkäinen Suite, Op. 22: II. The Swan of Tuonela | Jean Sibelius, London Symphony Orchestra, Sir Charles Mackerras | A Minor | 0 | 8A | 113 BPM | ||
A Shropshire Lad | George Butterworth, London Philharmonic Orchestra, Sir Adrian Boult | F Minor | 1 | 4A | 77 BPM | ||
The Battle of Bosworth Field | Dan Jones, BBC National Orchestra Of Wales | C Minor | 2 | 5A | 120 BPM | ||
Double Allele | Sarah Warne, BBC National Orchestra Of Wales | D♭ Major | 3 | 3B | 130 BPM | ||
Symphony No.2 in B minor: 3. Andante | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | D♭ Major | 0 | 3B | 135 BPM | ||
The Firebird - Brusque Apparition d'Ivan Tsarevitch | Igor Stravinsky, BBC National Orchestra Of Wales, Thierry Fischer | D♭ Minor | 3 | 12A | 137 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM |