"Eine Alpensinfonie, Op. 64, TrV 233: XIII. Auf dem Gipfel" by Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1993. With this song being about 5 minutes long, at 4:30, "Eine Alpensinfonie, Op. 64, TrV 233: XIII. Auf dem Gipfel" by Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 22 in the song's album "Strauss, R.: An Alpine Symphony Op.64". In this album, this song's track order is #13. Eine Alpensinfonie, Op. 64, TrV 233: XIII. Auf dem Gipfel is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eine Alpensinfonie, Op. 64, TrV 233: XIII. Auf dem Gipfel by Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.9 In D / 4. Satz: A tempo (Molto adagio) | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 105 BPM | ||
L'Arlésienne Suite No.2: Intermezzo | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 88 BPM | ||
Karelia Suite, Op.11 (2005 - Remaster): I. Intermezzo | Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 2 | 5B | 83 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18 - "Scottish": III. Adagio | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | A Minor | 2 | 8A | 95 BPM | ||
La Bohème / Act 1: "Questo Mar Rosso" | Giacomo Puccini, Rolando Panerai, Luciano Pavarotti, Nicolai Ghiaurov, Berliner Philharmoniker, Herbert von Karajan | F Major | 3 | 7B | 98 BPM | ||
Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": III. Allegro molto vivace | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan | G Major | 4 | 9B | 83 BPM | ||
Symphony No.6 In F, Op.68 -"Pastoral": 4. Gewitter, Sturm (Allegro) | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Minor | 3 | 4A | 86 BPM | ||
Carmen / Act 3: Entr'acte | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 121 BPM | ||
Symphony No. 2 In C, Op. 61: 1. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco | Robert Schumann, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 125 BPM | ||
Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Return | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 2 | 11A | 150 BPM |