Wolfgang Amadeus Mozart, Orchestra of St. Luke's, Sir Charles Mackerras made "Serenade No. 10 for 13 Winds in B-Flat Major, K. 361 "Gran partita": III. Adagio" available on April 1, 1994. Serenade No. 10 for 13 Winds in B-Flat Major, K. 361 "Gran partita": III. Adagio is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. The track order of this song in Wolfgang Amadeus Mozart, Sir Charles Mackerras, Orchestra of St. Luke's's "Mozart: Serenade No. 10 for 13 Winds in B-Flat Major, K. 361 "Gran partita"" album is number 3 out of 7. On top of that, United States appears to be the country where this track was created. Serenade No. 10 for 13 Winds in B-Flat Major, K. 361 "Gran partita": III. Adagio is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Serenade No. 10 for 13 Winds in B-Flat Major, K. 361 "Gran partita": III. Adagio by Wolfgang Amadeus Mozart, Orchestra of St. Luke's, Sir Charles Mackerras to be Andante (at a walking pace) because the track has a tempo of 78 テンポ, a half-time of 39テンポ, and a double-time of 156 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 132 BPM | ||
Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM | ||
Serenade No. 1 in D Major, Op. 11: IVa. Menuetto I | Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin | B♭ Minor | 0 | 3A | 60 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5c. Songe d'une nuit du Sabbat - Ronde du Sabbat | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Major | 4 | 9B | 123 BPM | ||
Capriccio Espagnol: Scena e canto gitano | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | D Minor | 2 | 7A | 124 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance III | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 74 BPM | ||
The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee | Nikolai Rimsky-Korsakov, Philharmonia Orchestra, Vladimir Ashkenazy | D Minor | 0 | 7A | 187 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | F Major | 2 | 7B | 130 BPM | ||
Coppelia Ballet Suite: Notturno | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 80 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM |