"L'Arlésienne Suite No.1, WD 40: 3. Adagietto" by Georges Bizet, Orchestre de Paris, Semyon Bychkov was released on August 4, 1994. The duration of L'Arlésienne Suite No.1, WD 40: 3. Adagietto is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. L'Arlésienne Suite No.1, WD 40: 3. Adagietto's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 18 in Bizet: Carmen Suites; L'Arlésienne Suites by Georges Bizet, Semyon Bychkov, Orchestre de Paris. In terms of popularity, L'Arlésienne Suite No.1, WD 40: 3. Adagietto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'Arlésienne Suite No.1, WD 40: 3. Adagietto by Georges Bizet, Orchestre de Paris, Semyon Bychkov is Andante (at a walking pace), since this song has a tempo of 92 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 2 in D Minor, Op. 22: II. Romance | Henryk Wieniawski, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 91 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 6 (orch. Schmeling) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | D Major | 2 | 10B | 77 BPM | ||
Petite Suite, WD 39: No. 4. Duo: Petit mari, petite femme | Georges Bizet, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Major | 1 | 9B | 76 BPM | ||
Der Rosenkavalier, Op. 59, TrV 227 / Act I: Introduction | Richard Strauss, Staatskapelle Dresden, Karl Böhm | D Major | 1 | 10B | 105 BPM | ||
Piano Concerto No.2 in G minor, Op.22: 2. Allegro scherzando | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | F Major | 1 | 7B | 111 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Molto Adagio | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 0 | 7A | 81 BPM | ||
Eine Alpensinfonie: V. Auf dem Gletscher - Gefahrvolle Augenblicke | Richard Strauss, Bernard Haitink, London Symphony Orchestra | F♯ Minor | 0 | 11A | 83 BPM | ||
Schumann: Symphony No. 3 in E-Flat Major, Op. 97, Rhenish: I. Lebhaft | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | E♭ Major | 2 | 5B | 86 BPM | ||
L'Arlésienne Suite No.1, WD 40: 3. Adagietto | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 0 | 7B | 92 BPM |