George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin Doyle made "Laudate pueri, HWV 237: IV. Excelsus super omnes" available on March 29, 2024. The duration of Laudate pueri, HWV 237: IV. Excelsus super omnes is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Laudate pueri, HWV 237: IV. Excelsus super omnes's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle's "Handel: Dixit Dominus, Laudate pueri, Nisi Dominus" album is number 19 out of 23. On top of that, France appears to be the country where this track was created. In terms of popularity, Laudate pueri, HWV 237: IV. Excelsus super omnes is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Laudate pueri, HWV 237: IV. Excelsus super omnes by George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin Doyle to be Andante (at a walking pace) because the track has a tempo of 108 テンポ, a half-time of 54テンポ, and a double-time of 216 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salve Regina HWV 241: Eia ergo, advocata nostro | George Frideric Handel, Arleen Auger, Orchestra of Westminster Abbey, Simon Preston | A Major | 2 | 11B | 97 BPM | ||
Misatango, Misa a Buenos Aires: IX. Et resurexit | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 3 | 5A | 203 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Trionfi Amore!" (Orfeo, Amore, Euridice, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Fatma Said, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Overture in D Major, TWV 55:D21: Overture in D Major, TWV 55:D21: VI. Loure | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B Major | 1 | 1B | 109 BPM | ||
Ho vinto, Amor (I) | Tommaso Carapella, Cappella Mediterranea, Leonardo García-Alarcón, Léo Fernique, Valerio Contaldo | B♭ Minor | 0 | 3A | 110 BPM | ||
Johannes-Passion, BWV 245.1: 18. Recitativo: Da sprach Pilatus zu ihm | Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Tobias Berndt, Daniel Ochoa | D Major | 2 | 10B | 172 BPM | ||
Matthäus-Passion, BWV 244, Part II: No. 49, Aria "Aus Liebe will mein Heiland sterben" | Johann Sebastian Bach, Sunhae Im, Akademie für Alte Musik Berlin, René Jacobs | A♭ Minor | 0 | 1A | 80 BPM | ||
Missa in D-Dur, KV194: Benedictus | Chor und Orchester von St. Augustin, Cornelia Horak, Klemens Sander, Martina Steffl, Andreas Pixner, Alexander Kaimbacher | D Major | 1 | 10B | 114 BPM | ||
Two Airs for a Violin or German Flute, Violin, Cello & Harpsichord: Auld Bob Morrice. Affetuoso - Allegro | Francesco Geminiani, Rachel Podger, Brecon Baroque | F♯ Major | 1 | 2B | 97 BPM | ||
Laudate pueri, HWV 237: IV. Excelsus super omnes | George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM |