"Ho vinto, Amor (I)" by Tommaso Carapella, Cappella Mediterranea, Leonardo García-Alarcón, Léo Fernique, Valerio Contaldo was released on May 10, 2024. The duration of Ho vinto, Amor (I) is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Ho vinto, Amor (I)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 27 in Amore siciliano by Cappella Mediterranea, Leonardo García-Alarcón. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Ho vinto, Amor (I) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ho vinto, Amor (I) by Tommaso Carapella, Cappella Mediterranea, Leonardo García-Alarcón, Léo Fernique, Valerio Contaldo is Moderato (at a moderate speed), since this song has a tempo of 110 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gluck: Orfeo ed Euridice, Wq. 30, Act 1: "Ah se intorno a quest'urna funesta" (Coro) | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore Choir, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Qual mormorio giocondo: Recitative: Qual mormorio giocondo | Alessandro Melani, Ruth Ziesak, Reinhold Friedrich, Karoly Botvay | F♯ Major | 1 | 2B | 78 BPM | ||
Kuhnau: Magnificat in C Major: V. Chorus. "Quia fecit" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
2. Notenbüchlein für Anna Magdalena Bach: I. No. 13a, Gib Dich zufrieden und sei stille, BWV 511 | Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
XII. Das Blut Jesu Christi | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM | ||
El Prometeo, Act II Scene 3: Padre | Antonio Draghi, Cappella Mediterranea, Leonardo García-Alarcón, Zachary Wilder, Alejandro Meerapfel, Anna Reinhold | D Minor | 2 | 7A | 144 BPM | ||
Mori, mi dici (II) | Alessandro Scarlatti, Cappella Mediterranea, Leonardo García-Alarcón, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Christ lag in Todesbanden: IVa. Aria "Wir leben nun mit Jesu Christ" | Johann Kuhnau, Paul Agnew, Les Arts Florissants, Miriam Allan | E Major | 1 | 12B | 79 BPM | ||
Charpentier: Celle qui fait tout mon tourment, H. 450 | Marc-Antoine Charpentier, Lea Desandre, Thomas Dunford | D♭ Minor | 0 | 12A | 126 BPM | ||
Chi nudrisce tua speme | Sigismondo D'India, Julie Roset, Mariana Flores, Cappella Mediterranea, Leonardo García-Alarcón | G Minor | 1 | 6A | 125 BPM |