Alessandro Melani, Ruth Ziesak, Reinhold Friedrich, Karoly Botvay's 'Qual mormorio giocondo: Recitative: Qual mormorio giocondo' came out on January 1, 1998. With Qual mormorio giocondo: Recitative: Qual mormorio giocondo being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 25 in Bach, J.S.: Jauchzet Gott in Allen Landen / Melani, A.: Qual Mormorio Giocondo / Scarlatti, A.: Su Le Sponde Del Tebro by Ruth Ziesak, Karoly Botvay. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Qual mormorio giocondo: Recitative: Qual mormorio giocondo is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Qual mormorio giocondo: Recitative: Qual mormorio giocondo by Alessandro Melani, Ruth Ziesak, Reinhold Friedrich, Karoly Botvay is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Te deum, LWV 55: I. Te Deum | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 5 | 6B | 79 BPM | ||
Rossini: Messa di Gloria: VI. Gratias agimus tibi | Gioacchino Rossini, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano, Lawrence Brownlee, Maria Irsara | E♭ Major | 1 | 5B | 79 BPM | ||
Dixit Dominus, RV 595: Virgam virtutis tuae: Allegro | Antonio Vivaldi, Jane Archibald, Michele de Boer, Nils Brown, Anita Krause, Peter Mahon, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | B Minor | 4 | 10A | 119 BPM | ||
Requiem: Pie Jesu | Matthew Coleridge, The Choir of Royal Holloway, Rupert Gough, Simon Earl, Southern Sinfonia, Maxim Calver, Karin Dahlberg | G Major | 3 | 9B | 156 BPM | ||
Te Deum, S.32: II. Te æternum Patrem | Michel Richard Delalande, Le Poème Harmonique, Ensemble Aedes, Vincent Dumestre | C Major | 3 | 8B | 176 BPM | ||
Trumpet Concerto in E-Flat Major, Hob.VIIe:1: III. Allegro | Joseph Haydn, Reinhold Friedrich, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 99 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Reinhold Friedrich, Berlin Baroque Compagney | F♯ Major | 0 | 2B | 74 BPM | ||
Cola dove rimbomba: Come dentro a schiere amato | Alessandro Melani, Rosita Frisani, Fabrizio Haim Cipriani, Laura Corolla, Alessandro Stradella Consort, Estevan Velardi | B Major | 2 | 1B | 107 BPM | ||
Lauda Sion, Op. 73: VIII. Sumit unus | Felix Mendelssohn, Ruth Ziesak, Helene Schneiderman, Christoph Prégardien, Gotthold Schwarz, Deutsche Kammerphilharmonie Bremen, Kammerchor Stuttgart, Frieder Bernius | C Major | 0 | 8B | 75 BPM | ||
Trumpet Sonata: I. Mit Kraft | Paul Hindemith, Reinhold Friedrich, Thomas Duis | G Major | 1 | 9B | 167 BPM |