Alessandro Melani, Ruth Ziesak, Reinhold Friedrich, Karoly Botvay's 'Qual mormorio giocondo: Recitative: Qual mormorio giocondo' came out on January 1, 1998. With Qual mormorio giocondo: Recitative: Qual mormorio giocondo being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 25 in Bach, J.S.: Jauchzet Gott in Allen Landen / Melani, A.: Qual Mormorio Giocondo / Scarlatti, A.: Su Le Sponde Del Tebro by Ruth Ziesak, Karoly Botvay. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Qual mormorio giocondo: Recitative: Qual mormorio giocondo is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Qual mormorio giocondo: Recitative: Qual mormorio giocondo by Alessandro Melani, Ruth Ziesak, Reinhold Friedrich, Karoly Botvay is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il ritorno d'Ulisse in patria: PROLOGUE, "Mortal cosa son io" (L'Umana Fragilità) | Claudio Monteverdi, René Jacobs, Dominique Visse, Michael Schopper, Lorraine Hunt Lieberson, Martina Bovet, Concerto Vocale | A Minor | 1 | 8A | 120 BPM | ||
Te deum, LWV 55: II. Pleni sunt coeli et terra | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM | ||
Psalm 42, Op. 42: III. Recitativo "Meine Tränen sind" | Felix Mendelssohn, Ruth Ziesak, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | A Minor | 1 | 8A | 110 BPM | ||
Dixit Dominus, RV 595: Judicabit in nationibus: Largo - Presto | Antonio Vivaldi, Jane Archibald, Michele de Boer, Nils Brown, Anita Krause, Peter Mahon, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | D♭ Major | 1 | 3B | 94 BPM | ||
King Arthur, Z. 628, Act V: Fairest Isle | Henry Purcell, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra | A Major | 0 | 11B | 76 BPM | ||
Il Giustino, RV 717, Act I, Scene 8: Vedrò con mio diletto (Anastasio) | Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone, Silke Gäng | A Major | 0 | 11B | 168 BPM | ||
Salve Regina: No. 5., Et Jesu benedictum | Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Vèpres solennelles d'un confesseur en Do majeur K. 339, Laudate dominum | Wolfgang Amadeus Mozart, Maria Stader, Gustav König, RIAS-Symphonie-Orchester | F Major | 2 | 7B | 123 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": A Pastoral Dialogue Betwixt Thrsis and Iris (Bass, Soprano) | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 130 BPM | ||
Mein Herze schwimmt im Blut, BWV 199: No. 4, Tief gebückt und voller Reue | Johann Sebastian Bach, Hans-Christoph Rademann, Gächinger Kantorei Stuttgart | E Major | 1 | 12B | 111 BPM |