Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri made "Salve Regina: No. 5., Et Jesu benedictum" available on March 8, 2024. With Salve Regina: No. 5., Et Jesu benedictum being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Andreas Scholl, Alessandro Tampieri, Accademia Bizantina's "Invocazioni Mariane" album is number 11 out of 27. On top of that, France appears to be the country where this track was created. In terms of popularity, Salve Regina: No. 5., Et Jesu benedictum is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Salve Regina: No. 5., Et Jesu benedictum by Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri to be Andante (at a walking pace) because the track has a tempo of 99 テンポ, a half-time of 50テンポ, and a double-time of 198 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vavox Stabat Mater, Pt. 2 | Vavox, Andreas Scholl | F♯ Minor | 5 | 11A | 183 BPM | ||
Stabat Mater: 7. Eia Mater | Giovanni Battista Pergolesi, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | E Minor | 0 | 9A | 113 BPM | ||
Concerto No. 10 In B Minor RV 580: I. Allegro | Accademia Bizantina | B♭ Minor | 3 | 3A | 123 BPM | ||
Stabat Mater in F Minor, P. 77: III. O quam tristis et dolebat | Giovanni Battista Pergolesi, Sandrine Piau, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset | A Major | 2 | 11B | 82 BPM | ||
Vavox Stabat Mater, Pt. 10 | Vavox, Andreas Scholl | A Minor | 4 | 8A | 144 BPM | ||
Come ye sons of art: Sound the Trumpet | Henry Purcell, Andreas Scholl, Christophe Dumaux, Accademia Bizantina, Stefano Montanari | D♭ Major | 4 | 3B | 108 BPM | ||
Missa Solemnis: XIII. Sanctus | Leopold Mozart, Bayerische Kammerphilharmonie, Alessandro De Marchi, Das Vokalprojekt | C Major | 2 | 8B | 132 BPM | ||
Libera me in C Minor, HocJ E.2: VII. Dum veneris iudicare | Niccolò Jommelli, Il Gardellino, Gudrun Sidonie Otto, Helen Charlston, Daniel Johannsen, Sebastian Myrus, Peter Van Heyghen | B Minor | 0 | 10A | 163 BPM | ||
Stabat Mater: 1. Stabat Mater | Giovanni Battista Pergolesi, Barbara Bonney, Andreas Scholl, Les Talens Lyriques, Christophe Rousset | E Minor | 1 | 9A | 80 BPM | ||
Stabat Mater in G Minor: I. Stabat Mater | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | E Minor | 2 | 9A | 143 BPM |