"King Arthur, Z. 628, Act V: Fairest Isle" by Henry Purcell, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra was released on May 24, 2024. With this song being about 5 minutes long, at 5:29, "King Arthur, Z. 628, Act V: Fairest Isle" by Henry Purcell, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Rachel Baptist: Ireland’s Black Syren". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. King Arthur, Z. 628, Act V: Fairest Isle is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With King Arthur, Z. 628, Act V: Fairest Isle by Henry Purcell, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra having a テンポ of 76 with a half-time of 38 テンポ and a double-time of 152 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Er heißet Wunderbar, Rat, Kraft, Held, FR 408/1: I. Dictum (Tutti) | Johann Friedrich Fasch, Benjamin Schmolck, Berit Norbakken Solset, Marianne Beate Kielland, Anders J. Dahlin, Halvor Festervoll Melien, Alfredo Bernardini, Barokkanerne | F♯ Minor | 1 | 11A | 126 BPM | ||
Te Deum, H. 146: VI. Te ergo quæsumus famulis tuis subveni | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Jehanne Amzal | B♭ Major | 4 | 6B | 106 BPM | ||
Missa brevis in D Major, K.194: V. Benedictus | Wolfgang Amadeus Mozart, Maria Zedelius, Hilke Helling, Klaus Schneider, Klaus Mertens, Kölner Kammerchor, Collegium Classicum Köln, Peter Neumann | F Major | 0 | 7B | 91 BPM | ||
Membra Jesu Nostri, BUXWV 75, cantata II ad genua: I. Sonata in tremolo | Dietrich Buxtehude, Luthers Bach Ensemble, Tymen Jan Bronda, Baroque Orchestra | F♯ Minor | 2 | 11A | 142 BPM | ||
Nymphs of the Springs: Nature First Played Well Her Part | Niccolò Pasquali, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra | D♭ Minor | 1 | 12A | 148 BPM | ||
Stabat Mater in G Minor: VI. Eja Mater | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | D Major | 1 | 10B | 79 BPM | ||
Mass of the Americas: III. Gloria | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | A♭ Major | 2 | 4B | 83 BPM | ||
Membra Jesu nostri, BuxWV 75: IIIc. Ad manus: Manus sanctae, vos amplector | Dietrich Buxtehude, Roberto Balconi, Daniele Carnovich, Mario Cecchetti, Roberta Invernizzi, Caterina Trogu, Radio Svizzera Choir, Lugano, Sonatori de la Gioiosa Marca, Accademia Instrumentale Italiana, Diego Fasolis | F♯ Minor | 2 | 11A | 100 BPM | ||
Kyrie: III. Kyrie | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | A♭ Major | 1 | 4B | 88 BPM | ||
Laudate Pueri: II. A solis ortu | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Giles Underwood, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM |