Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks made "Mass of the Americas: III. Gloria" available on September 23, 2022. Mass of the Americas: III. Gloria is about six minutes long, preciously at 6:01, making this song fairly long compared to other songs. The song is number 3 out of 12 in Frank La Rocca: Mass of the Americas by Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Mass of the Americas: III. Gloria is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Mass of the Americas: III. Gloria by Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Cantuariensis, Op. 59: I. Kyrie | Edmund Rubbra, The Sixteen / Harry Christophers, Harry Christophers | B Major | 1 | 1B | 135 BPM | ||
Nisi Dominus, HWV 238: VI. Gloria Patri | George Frideric Handel, RIAS Kammerchor, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
The Armed Man (Ensemble Version): XIII. Better is Peace | Karl Jenkins, Hertfordshire Chorus, David Temple, London Orchestra da Camera | G Major | 2 | 9B | 127 BPM | ||
Ave Maria, WAB 6 | Anton Bruckner, Bavarian Radio Chorus, Peter Dijkstra | F Major | 0 | 7B | 132 BPM | ||
Messe Solennelle, Op. 16 - Gloria | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | A Major | 2 | 11B | 107 BPM | ||
Missa Sancti Pauli: No. 18, Crucifixus | Francesco Bartolomeo Conti, Adriána Kalafszky, Peter Bárány, Zoltán Megyesi, Thomas Dolie, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | D Major | 1 | 10B | 94 BPM | ||
Dido and Aeneas, Z.626, Act III Scene 2: Thy Hand Belinda; Darkness Shades Me (Dido) | Henry Purcell, Les Argonautes, Jonas Descotte, Camille Allérat | F♯ Major | 1 | 2B | 84 BPM | ||
In This Place | Frank La Rocca, Strata | G Minor | 0 | 6A | 73 BPM | ||
Onda Perpetua | David Peccas | A♭ Minor | 2 | 1A | 170 BPM | ||
Missa in D-Dur, KV194: Agnus Dei | Chor und Orchester von St. Augustin, Klemens Sander, Cornelia Horak, Andreas Pixner, Martina Steffl, Alexander Kaimbacher | D Major | 1 | 10B | 99 BPM |