Johann Kuhnau, Paul Agnew, Les Arts Florissants, Miriam Allan's 'Christ lag in Todesbanden: IVa. Aria "Wir leben nun mit Jesu Christ"' came out on April 5, 2024. With Christ lag in Todesbanden: IVa. Aria "Wir leben nun mit Jesu Christ" being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Les Arts Florissants, Benjamin Alard's "J. S. Bach: A Life in Music (Vol. 1). Arnstadt & Mühlhausen (1703-1708), Early Cantatas" album is number 13 out of 36. On top of that, France appears to be the country where this track was created. Christ lag in Todesbanden: IVa. Aria "Wir leben nun mit Jesu Christ" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Christ lag in Todesbanden: IVa. Aria "Wir leben nun mit Jesu Christ" by Johann Kuhnau, Paul Agnew, Les Arts Florissants, Miriam Allan to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gottes Zeit ist die allerbeste Zeit, BWV 106 "Actus tragicus": I. Sonatina | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants | E Major | 1 | 12B | 112 BPM | ||
Armide, LWV 71, Prologue: Tout doit céder dans l'Univers (La Gloire, La Sagesse) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Eva Zaïcik, Marie Perbost | F Major | 1 | 7B | 139 BPM | ||
Nach dir, Herr, verlanget mich, BWV 150: VII. Corale (ciaccona) "Meine Tage in dem Leide" | Johann Sebastian Bach, Paul Agnew, Les Arts Florissants | E Major | 4 | 12B | 101 BPM | ||
Madrigals, Book 7, SV 117–145: No. 25, Se i languidi miei sguardi, SV 141 | Claudio Monteverdi, Les Arts Florissants, Paul Agnew, Lucile Richardot | G Major | 0 | 9B | 168 BPM | ||
Kuhnau: Magnificat in C Major: I. Chorus. "Magnificat" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
Musicalisches Gesang-Buch Georg Christian Schemelli: I. No. 19, Mein Jesu! was vor Seelenweh, BWV 487 | Johann Sebastian Bach, Masaaki Suzuki, Aki Matsui, Shimon Yoshida, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Madrigals, Book 5: Poiché l'avida sete (Pt. 2) | Carlo Gesualdo, Les Arts Florissants, Paul Agnew | B Minor | 2 | 10A | 109 BPM | ||
Litanies de la Vierge, H. 83: Litanies de la Vierge, H. 83: I. Kyrie | Marc-Antoine Charpentier, Les Arts Florissants, Anne Marie Lasla, William Christie, Kaori Uemura | D♭ Minor | 0 | 12A | 100 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act I: Song and Chorus. "Shake the Cloud From off Your Brow" (Belinda, Chorus) | Henry Purcell, William Christie, Les Arts Florissants, Sophie Marin-Degor | B Minor | 1 | 10A | 64 BPM | ||
Lully : Psyché : "Chantons les plaisirs charmants" [Chorus] | Jean-Baptiste Lully, William Christie, Les Arts Florissants | C Major | 3 | 8B | 132 BPM |