Henry Purcell, William Christie, Les Arts Florissants, Sophie Marin-Degor made "Purcell: Dido and Aeneas, Z. 626, Act I: Song and Chorus. "Shake the Cloud From off Your Brow" (Belinda, Chorus)" available on January 1, 1995. With Purcell: Dido and Aeneas, Z. 626, Act I: Song and Chorus. "Shake the Cloud From off Your Brow" (Belinda, Chorus) being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Purcell : Dido & Aeneas". In this album, this song's track order is #2. Purcell: Dido and Aeneas, Z. 626, Act I: Song and Chorus. "Shake the Cloud From off Your Brow" (Belinda, Chorus) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Purcell: Dido and Aeneas, Z. 626, Act I: Song and Chorus. "Shake the Cloud From off Your Brow" (Belinda, Chorus) by Henry Purcell, William Christie, Les Arts Florissants, Sophie Marin-Degor having a テンポ of 64 with a half-time of 32 テンポ and a double-time of 128 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For Strings In D Minor, RV 128: III. Allegro | Sonatori de la Gioiosa Marca, Antonio Vivaldi | D Minor | 6 | 7A | 71 BPM | ||
The Fairy Queen, Z. 629: Act V: Trio And Chorus | The Scholars Baroque Ensemble, Elkanah Settle, Henry Purcell | B Major | 2 | 1B | 66 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Trio Sonata No. 1 in A Minor: II. Fuga | William Boyce, Simon Standage, Collegium Musicum 90 | A♭ Minor | 1 | 1A | 81 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
Flute Concerto No. 1 in G Major: I. Spiritoso | Giovanni Battista Pergolesi, Jean-Pierre Rampal, Stuttgart Chamber Orchestra, Karl Münchinger | D Major | 2 | 10B | 112 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: III. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | G Minor | 4 | 6A | 120 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Armide: Passacaille | Jean-Baptiste Lully, Véronique Gens, Christophe Rousset, Les Talens Lyriques | F Minor | 1 | 4A | 122 BPM |