Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Tobias Berndt, Daniel Ochoa's 'Johannes-Passion, BWV 245.1: 18. Recitativo: Da sprach Pilatus zu ihm' came out on May 24, 2024. The duration of Johannes-Passion, BWV 245.1: 18. Recitativo: Da sprach Pilatus zu ihm is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Johannes-Passion, BWV 245.1: 18. Recitativo: Da sprach Pilatus zu ihm's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Daniel Ochoa, Matteo de Bastiani, Leopold Görsch, Jannes Arndt, Carlos Voß, Ha Dong Lee, Robert Pohlers, Tobias Berndt, Konrad Führer's "Johann Sebastian Bach: Johannes-Passion / St John Passion BWV 245.1 (1724)" album is number 18 out of 40. On top of that, Germany appears to be the country where this track was created. The popularity of Johannes-Passion, BWV 245.1: 18. Recitativo: Da sprach Pilatus zu ihm is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Johannes-Passion, BWV 245.1: 18. Recitativo: Da sprach Pilatus zu ihm by Johann Sebastian Bach, Thomanerchor Leipzig, Andreas Reize, Akademie für Alte Musik Berlin, David Fischer, Tobias Berndt, Daniel Ochoa to be Vivace (lively and fast) because the track has a tempo of 172 テンポ, a half-time of 86テンポ, and a double-time of 344 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in A Major, BWV 1025: IV. Sarabande | Silvius Leopold Weiss, Johann Sebastian Bach, Emelie Roos, Dohyo Sol | B Minor | 0 | 10A | 127 BPM | ||
Die güldene Sonne bringt Leben und Wonne | Athesinus Consort Berlin, Klaus-Martin Bresgott | A Major | 1 | 11B | 96 BPM | ||
Suite in A Major, BWV 1025: II. Courante | Silvius Leopold Weiss, Johann Sebastian Bach, Emelie Roos, Dohyo Sol | B Minor | 0 | 10A | 127 BPM | ||
Concerto No. 5 In D Major BWV1050 - Allegro | Jordi Savall, Johann Sebastian Bach | B♭ Major | 4 | 6B | 129 BPM | ||
Was für ein jauchzendes Gedränge, TWV 1:1509: No. 9, Ei, meine Perl, du werte Kron | Georg Philipp Telemann, Hanna Herfurtner, Carola Gunther, Mirko Ludwig, Fabian Strotmann, Peter Kooij, Kölner Akademie, Michael Alexander Willens | F♯ Major | 1 | 2B | 66 BPM | ||
Laudate pueri, HWV 237: II. Sit nomen Domini | George Frideric Handel, Carolyn Sampson, Akademie für Alte Musik Berlin, Justin Doyle | D♭ Major | 2 | 3B | 108 BPM | ||
Matthäus Passion, Parte Seconda: 48. Recitative (Soprano): Er Hat Uns Allen Wohlgetan | Stephen Cleobury, Rogers Covey-Crump, Choir of King's College, Cambridge, Johann Sebastian Bach, Martyn Hill, Emma Kirkby, Michael George, Michael Chance, David Thomas | B Minor | 1 | 10A | 73 BPM | ||
I. Nun Danket Alle Gott BWV 192, (3) Coro: Lob, Ehr Und Preis Sei Gott | Pieter Jan Leusink, Sytse Buwalda, Knut Schoch, Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Peter Frankenberg, Johann Sebastian Bach, Marjon Strijk, Kristin Linde, Doretthe Janssens, Marion Moonen | D♭ Major | 3 | 3B | 53 BPM | ||
Lobet den Herrn alle Heiden, BWV 230 | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Maria Keohane, Robin Blaze, Hans-Jörg Mammel, Stephan MacLeod | A Major | 2 | 11B | 81 BPM | ||
IX. Soll ich denn auch des Todes Weg (Choral) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Chorus Musicus Köln, Erika Tandiono, Sofia Pavone, Daniel Johannsen, Tobias Berndt | A♭ Major | 2 | 4B | 92 BPM |