"Il secondo libro de madrigali a cinque voci, SV 48: No. 9, Quell’ombra esser vorrei" by Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini, Rosa Dominguez, Giuseppe Maletto, Sandro Naglia, Marco Radaelli, Daniele Carnovich was released on January 1, 2000. The duration of Il secondo libro de madrigali a cinque voci, SV 48: No. 9, Quell’ombra esser vorrei is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Il secondo libro de madrigali a cinque voci, SV 48: No. 9, Quell’ombra esser vorrei's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Claudio Monteverdi, Rinaldo Alessandrini, Concerto Italiano's "Monteverdi: Il secondo libro de madrigali" album is number 10 out of 21. On top of that, France appears to be the country where this track was created. Based on our statistics, Il secondo libro de madrigali a cinque voci, SV 48: No. 9, Quell’ombra esser vorrei's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Il secondo libro de madrigali a cinque voci, SV 48: No. 9, Quell’ombra esser vorrei by Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini, Rosa Dominguez, Giuseppe Maletto, Sandro Naglia, Marco Radaelli, Daniele Carnovich to be Moderato (at a moderate speed) because the track has a tempo of 120 テンポ, a half-time of 60テンポ, and a double-time of 240 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vespers of 1610: Nisi Dominus | Claudio Monteverdi, The Sixteen, Harry Christophers | B♭ Major | 1 | 6B | 87 BPM | ||
Exaudiat te Dominus (Psalm 19): Gloria | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B♭ Major | 4 | 6B | 115 BPM | ||
Madrigals, Book 7, SV 117–145: No. 29, Tirsi e Clori, SV 145 | Claudio Monteverdi, Les Arts Florissants, Lisandro Abadie, Lucile Richardot, Mhairi Lawson, Miriam Allan, Paul Agnew, Zachary Wilder | C Major | 1 | 8B | 72 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Mille pene" (Orfeo) | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 91 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Abdelazer: Air | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 114 BPM | ||
Te Deum laudamus pour deux choeurs et basse continue: I. Te Deum Laudamus | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F♯ Major | 1 | 2B | 169 BPM | ||
Viola da Gamba Suite in D Major: I. Prelude | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 85 BPM |