Henry Purcell, Emmanuelle Haïm made "Purcell: Dido and Aeneas, Z. 626, Act 1: "To the hills and the vales" (Chorus)" available on 2003. With Purcell: Dido and Aeneas, Z. 626, Act 1: "To the hills and the vales" (Chorus) being less than two minutes long, at 1:03, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 36 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #12. Based on our statistics, Purcell: Dido and Aeneas, Z. 626, Act 1: "To the hills and the vales" (Chorus)'s popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Purcell: Dido and Aeneas, Z. 626, Act 1: "To the hills and the vales" (Chorus) by Henry Purcell, Emmanuelle Haïm having a テンポ of 142 with a half-time of 71 テンポ and a double-time of 284 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sarro: Messa a 5 voci: "Laudamus te" | Domenico Sarro, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | A♭ Minor | 2 | 1A | 113 BPM | ||
Purcell: King Arthur, Z. 628, Act I: Song and Chorus. "Come If You Dare" - First Act Tune | Henry Purcell, John Eliot Gardiner, The Monteverdi Choir, Paul Elliott, English Baroque Soloists | B Major | 1 | 1B | 144 BPM | ||
The Fairy Queen, Z. 629 / Act 3: Song: "Ye Gentle Spirits of the Air, appear" | Henry Purcell, Judith Nelson, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 135 BPM | ||
Pergolesi: Laudate pueri: VI. Gloria Patri | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | D Major | 1 | 10B | 71 BPM | ||
Funeral Sentences For Queen Mary: In The Midst Of Life | Timothy Brown, William Carter, Baroque Brass Of London, Jan Schlapp, Mark Bennet, Keri Dexter, Tim Handley, Nicholas Parker, Marshall Marcus, Ron Bryans, Robert Howes, Andrew Manze, Liz Kenny, Micheal Laird, Jonathan Brown, Choir of Clare College, Cambridge, Nicholas Parker, Tim Handley, Jenny Ward-Clarke, Henry Purcell, Crispian Steele-Perkins | C Minor | 0 | 5A | 88 BPM | ||
Concerto grosso in D , Op.6, No.4: 4. Allegro | Arcangelo Corelli, The English Concert, Trevor Pinnock | D♭ Major | 2 | 3B | 75 BPM | ||
Mondonville: In exitu Israel: II. Chœur. "Mare vidit" | Jean-Joseph Cassanéa De Mondonville, Emmanuelle Haïm | F Major | 2 | 7B | 119 BPM | ||
Monteverdi: L'Orfeo, favola in musica, SV 318, Act 3: "Ecco l'atra palude" (Speranza, Orfeo) | Claudio Monteverdi, Sonia Prina/Ian Bostridge/Emmanuelle Haïm/Le Concert d`Astrée, Emmanuelle Haïm | F♯ Major | 1 | 2B | 101 BPM | ||
Te Deum, H. 146: Te Deum, H. 146: VI. Te ergo quaesumus | Marc-Antoine Charpentier, Véronique Gens, Les Arts Florissants, William Christie | D♭ Major | 0 | 3B | 132 BPM | ||
The Fairy Queen, Z. 629 / Act 1: Song In Two Parts: "Come, come, come, let us leave" | Henry Purcell, Eiddwen Harrhy, Stephen Varcoe, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 135 BPM |