"Sarro: Messa a 5 voci: "Laudamus te"" by Domenico Sarro, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro was released on October 26, 2018. The duration of Sarro: Messa a 5 voci: "Laudamus te" is about 3 minutes long, at 3:28. Based on our data, "Sarro: Messa a 5 voci: "Laudamus te"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 17 out of 23 in Anima Sacra by Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro. In terms of popularity, Sarro: Messa a 5 voci: "Laudamus te" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sarro: Messa a 5 voci: "Laudamus te" by Domenico Sarro, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro is Moderato (at a moderate speed), since this song has a tempo of 113 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Burlesque de Quixotte: III. Son Attaque des moulins à vent | Georg Philipp Telemann, Simon Standage, Collegium Musicum 90 | D♭ Major | 4 | 3B | 134 BPM | ||
Sosarme, HWV 30: Act II, Duetto, "Per le porte del tormento" | George Frideric Handel, Bejun Mehta, Rosemary Joshua, René Jacobs | E♭ Major | 2 | 5B | 84 BPM | ||
Te Deum: IV. Pleni sunt caeli | Marc-Antoine Charpentier, La Capella Reial De Catalunya, Le Concert Des Nations, Jordi Savall | D♭ Major | 4 | 3B | 96 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Vieni, segui i miei passi" (Orfeo, Euridice) | Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Symphony No. 5 "Reformation", Op. 107: I. Andante - Allegro con fuoco | Felix Mendelssohn, Maxim Emelyanychev, Scottish Chamber Orchestra | A Major | 1 | 11B | 132 BPM | ||
Dido and Aeneas / Act 3: The sailor's Dance..."See the flags...Destruction'sour delight" - The Witches' Dance | Henry Purcell, Patricia Kern, Helen Walker, Della Jones, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | B♭ Major | 1 | 6B | 101 BPM | ||
Magnificat in E-Flat Major, BWV 243a: Et misericordia | Johann Sebastian Bach, Reginald L. Mobley, Hugo Hymas, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 1 | 11A | 124 BPM | ||
Gloria in D Major, R. 589 - G.Ricordi 1970, Ed. Malipiero: VIII. Domine Deus, Agnus Dei | Antonio Vivaldi, Catherine Denly, The English Concert, Trevor Pinnock, The English Concert Choir | E♭ Major | 2 | 5B | 144 BPM | ||
Hor ch'è tempo di dormire | Tarquinio Merula, Christina Pluhar | D Minor | 1 | 7A | 166 BPM | ||
Adriano In Siria: Deh, tu bel Dio d'amore...Ov'è il mio bene? | Carl Heinrich Graun, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Minor | 1 | 9A | 91 BPM |