"Funeral Sentences For Queen Mary: In The Midst Of Life" by Timothy Brown, William Carter, Baroque Brass Of London, Jan Schlapp, Mark Bennet, Keri Dexter, Tim Handley, Nicholas Parker, Marshall Marcus, Ron Bryans, Robert Howes, Andrew Manze, Liz Kenny, Micheal Laird, Jonathan Brown, Choir of Clare College, Cambridge, Nicholas Parker, Tim Handley, Jenny Ward-Clarke, Henry Purcell, Crispian Steele-Perkins was released on December 20, 2006. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Sacred Music, Dioclesian Songs Part: 1". In this album, this song's track order is #10. Funeral Sentences For Queen Mary: In The Midst Of Life is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Funeral Sentences For Queen Mary: In The Midst Of Life by Timothy Brown, William Carter, Baroque Brass Of London, Jan Schlapp, Mark Bennet, Keri Dexter, Tim Handley, Nicholas Parker, Marshall Marcus, Ron Bryans, Robert Howes, Andrew Manze, Liz Kenny, Micheal Laird, Jonathan Brown, Choir of Clare College, Cambridge, Nicholas Parker, Tim Handley, Jenny Ward-Clarke, Henry Purcell, Crispian Steele-Perkins having a テンポ of 88 with a half-time of 44 テンポ and a double-time of 176 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Son of god mass ; Kyrie | James Whitbourn, Robert Tear, John Harle, Joby Burgess, John Reid, Timothy Brown, Choir of Clare College, Cambridge | C Major | 1 | 8B | 112 BPM | ||
Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Minor | 3 | 11A | 121 BPM | ||
Cantica Sacra: No. 5, Surge Amica Mea | Richard Dering, Timothy Brown | E Major | 1 | 12B | 109 BPM | ||
Matthäuspassion, BWV 244: Kommt, ihr Tochter, helft mir klagen (Chorus I and II) | Johann Sebastian Bach, Knaben des Kölner Domchores, Dresdner Kammerchor, Kolner Kammerorchester, Helmut Muller-Bruhl | E Minor | 1 | 9A | 87 BPM | ||
Requiem No. 1 in C Minor: Agnus Dei | Luigi Cherubini, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Major | 0 | 8B | 128 BPM | ||
Beati pauperes | Jan Pieterszoon Sweelinck, Timothy Brown, Choir of Clare College, Cambridge, Cambridge | D Major | 1 | 10B | 76 BPM | ||
Purcell: "O Solitude, My Sweetest Choice", Z. 406 | Henry Purcell, Nancy Argenta, Nigel North, Paul Nicholson, Richard Boothby | B Minor | 0 | 10A | 73 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | C Major | 0 | 8B | 66 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
Petite messe solennelle: Kyrie: Petite messe solennelle: Kyrie: II. Christe | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | F Minor | 0 | 4A | 149 BPM |