"Locus iste, WAB 23" by Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe was released on 2002. The duration of Locus iste, WAB 23 is about 3 minutes long, at 3:03. Based on our data, "Locus iste, WAB 23" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 13 in Bruckner: Mass in E Minor & Motets by Anton Bruckner, Philippe Herreweghe, Ensemble Musique Oblique, La Chapelle Royale. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Locus iste, WAB 23 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Locus iste, WAB 23 by Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe is Larghetto (rather broadly), since this song has a tempo of 66 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The lily and the rose (version for mixed chorus and piano) | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 1 | 8A | 77 BPM | ||
Libera me, WAB 21 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | F Major | 2 | 7B | 70 BPM | ||
Crucifixus (8vv) | Antonio Lotti, Choir of St. John's College, Cambridge, London Philharmonic Orchestra, George Guest | C Minor | 2 | 5A | 86 BPM | ||
Pergolesi: Stabat Mater: III. O quam tristis et afflicta | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 111 BPM | ||
Aequale, WAB 114 | Anton Bruckner, Munich Radio Orchestra, Peter Dijkstra | C Minor | 0 | 5A | 134 BPM | ||
Gloria in D Major, RV 589: 1. Gloria in excelsis | Antonio Vivaldi, Coro della Radiotelevisione Svizzera, I Barocchisti, Diego Fasolis | D♭ Major | 3 | 3B | 128 BPM | ||
Bruckner's Welt: Kapitel 1: Kirchenmusik im wuerdigen Style | Anton Bruckner, Wiebke Puls, Hans Jürgen Stockerl, Friedrich Schloffer | E Minor | 1 | 9A | 85 BPM | ||
Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
Dieu, qu'il l'a fait bon regarder | Claude Debussy, Norddeutscher Figuralchor, Jörg Straube | A♭ Minor | 0 | 1A | 85 BPM |