"Te Deum, H. 146: Te Deum, H. 146: VI. Te ergo quaesumus" by Marc-Antoine Charpentier, Véronique Gens, Les Arts Florissants, William Christie was released on April 27, 1989. The duration of Te Deum, H. 146: Te Deum, H. 146: VI. Te ergo quaesumus is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Te Deum, H. 146: Te Deum, H. 146: VI. Te ergo quaesumus's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 30 in Charpentier: Te Deum, H.146, Litanies de la Vierge & Missa "Assumpta est Maria" by Marc-Antoine Charpentier, Les Arts Florissants, William Christie. Based on our statistics, Te Deum, H. 146: Te Deum, H. 146: VI. Te ergo quaesumus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Te Deum, H. 146: Te Deum, H. 146: VI. Te ergo quaesumus by Marc-Antoine Charpentier, Véronique Gens, Les Arts Florissants, William Christie is Allegro (fast, quick, and bright), since this song has a tempo of 132 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: Inflammatus e accensus…. Fac me cruce custodiri | Agostino Steffani, Julian Prégardian, Daniel Behle, Salvo Vitale, I Barocchisti, Diego Fasolis | G Minor | 3 | 6A | 96 BPM | ||
Antiennes "O" de l'Avent, H.36-43: Salut de la veille des O, "O salutaris hostia" | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | B Major | 1 | 1B | 135 BPM | ||
Missa "Assumpta Est Maria", H. 11: Missa "Assumpta Est Maria", H. 11: VII. Sanctus | Marc-Antoine Charpentier, Les Arts Florissants, William Christie | D♭ Minor | 1 | 12A | 114 BPM | ||
Fauré: 2 Mélodies, Op. 46: No. 2, Clair de lune | Gabriel Fauré, Véronique Gens, Roger Vignoles | B♭ Minor | 0 | 3A | 70 BPM | ||
Stabat Mater: VIII. Virgo virginum | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Armide, Act II, Scene 5: "Enfin, il est en ma puissance" (Armide) | Jean-Baptiste Lully, Collegium Vocale Gent, Philippe Herreweghe, Guillemette Laurens, La Chapelle Royale | D Minor | 2 | 7A | 141 BPM | ||
Madrigals, Book 5: Qual fora, donna, un dolce "oimè" d'Amore | Carlo Gesualdo, Les Arts Florissants, Paul Agnew | A Major | 1 | 11B | 93 BPM | ||
Missa Tempore Quadragesimae, MH 553: Credo: Et resurrexit | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | F Minor | 0 | 4A | 80 BPM | ||
Exaudiat te Dominus (Psalm 19): Gloria | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B♭ Major | 4 | 6B | 115 BPM | ||
Les Indes galantes, Prologue, Scène 5: "Traversez les plus vastes mers" (L'Amour, Hébé, Choeur) | Jean-Philippe Rameau, Isabelle Poulenard, Claron McFadden, Les Arts Florissants, William Christie | F♯ Major | 1 | 2B | 85 BPM |