Gioachino Rossini, Staatskapelle Dresden, Silvio Varviso's 'La gazza ladra: Overture' came out on March 12, 1985. La gazza ladra: Overture appears to be safe for all ages as it is not explicit. There are a total of 9 in the song's album "Overtures & Intermezzi". In this album, this song's track order is #1. Based on our statistics, La gazza ladra: Overture's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La gazza ladra: Overture by Gioachino Rossini, Staatskapelle Dresden, Silvio Varviso having a テンポ of 150 with a half-time of 75 テンポ and a double-time of 300 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: Symphony No. 5 in C Minor, Op. 67: III. Allegro - | Ludwig van Beethoven, Kurt Masur, New York Philharmonic | F Major | 3 | 7B | 88 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance I | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 97 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Der Barbier von Sevilla (Il Barbiere di Siviglia) · Arien und Szenen in deutscher Sprache (2000 Digital Remaster), Act 1: Die Verleumdung, sie ist ein Lüftchen (La calunna è un venticello) (Basilio) | Cesare Sterbini, Gioachino Rossini, Pierre-Augustin Caron de Beaumarchais, Hermann Prey, Erika Köth, Richard Holm, Gottlob Frick, Berliner Symphoniker, Wilhelm Schüchter, Wilhelm Schuechter | C Major | 3 | 8B | 106 BPM | ||
Scheherazade, Op. 35: The Young Prince And The Young Princess (Andantino quasi allegretto - Pochissimo più mosso - Come prima - Pochissimo più animato) | Nikolai Rimsky-Korsakov, Joseph Silverstein, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 84 BPM | ||
String Quintet No. 6 in E Major, Op. 11, No. 5: String Quintet no.6 in E major, op.11 no.5: III. Minuetto - Trio | Luigi Boccherini, Cuarteto Casals, Eckart Runge | A Major | 0 | 11B | 126 BPM | ||
Il Barbiere di Siviglia: Ehi, Fiorello?...Mio signore! | Gioachino Rossini, Cesare Sterbini, Giuseppe Di Stefano, George Cehanovsky, Alberto Erede | D Major | 4 | 10B | 139 BPM | ||
Il Barbiere di Siviglia: Ecco, ridente in cielo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Wiener Philharmoniker, Karl Böhm | D Major | 5 | 10B | 116 BPM | ||
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 139 BPM |