Gioachino Rossini, Cesare Sterbini, Giuseppe Di Stefano, George Cehanovsky, Alberto Erede made "Il Barbiere di Siviglia: Ehi, Fiorello?...Mio signore!" available on January 21, 2011. The duration of Il Barbiere di Siviglia: Ehi, Fiorello?...Mio signore! is about 3 minutes long, at 3:19. Based on our data, "Il Barbiere di Siviglia: Ehi, Fiorello?...Mio signore!" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 31 in the song's album "Rossini: Il Barbiere di Siviglia (Metropolitan Opera)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, Il Barbiere di Siviglia: Ehi, Fiorello?...Mio signore!'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Il Barbiere di Siviglia: Ehi, Fiorello?...Mio signore! by Gioachino Rossini, Cesare Sterbini, Giuseppe Di Stefano, George Cehanovsky, Alberto Erede having a テンポ of 139 with a half-time of 70 テンポ and a double-time of 278 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Barbiere di Siviglia: Act I: Piano, pianissimo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 3 | 8B | 127 BPM | ||
Carmen (1997 - Remaster), Act I: Avec la garde montante | Georges Bizet, Nicolai Gedda, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | D Minor | 1 | 7A | 122 BPM | ||
Light Cavalry | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | A Major | 3 | 11B | 130 BPM | ||
España - Rhapsody for Orchestra | Emmanuel Chabrier, London Symphony Orchestra, Ataúlfo Argenta | F Major | 3 | 7B | 122 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM | ||
Le veau d'or - from Faust | Charles Gounod, Erwin Schrott, Daniele Rustioni | C Minor | 5 | 5A | 121 BPM | ||
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | ||
3 Marches militaires, D. 733: Marche Militaire in D Major, Op. 51, No. 1 (Arr. Weninger) | Franz Schubert, Wiener Philharmoniker, Hans Knappertsbusch | D Major | 7 | 10B | 138 BPM | ||
Le barbier de Séville Largo al factotum - Instrumental Version | Arthur Fiedler, Boston Pops Orchestra | C Major | 4 | 8B | 77 BPM |