Charles Gounod, Erwin Schrott, Daniele Rustioni made "Le veau d'or - from Faust" available on June 4, 2012. The duration of Le veau d'or - from Faust is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Le veau d'or - from Faust's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 16 in Arias by Erwin Schrott. Based on our statistics, Le veau d'or - from Faust's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Le veau d'or - from Faust by Charles Gounod, Erwin Schrott, Daniele Rustioni is Allegro (fast, quick, and bright), since this song has a tempo of 121 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Giovanni, K.527, Act II, Scene 5: Don Giovanni, a cenar teco (Commendatore/Don Giovanni/Leporello/Coro) | Wiener Philharmoniker, William Shimell, Jan-Hendrik Rootering, Samuel Ramey, Riccardo Muti, Konzertvereinigung der Wiener Staatsopernchor | B♭ Major | 2 | 6B | 90 BPM | ||
Les Contes d'Hoffmann, Act III, Scene 1: "Elle a fui, la torterelle" | Jacques Offenbach, Sonya Yoncheva, Frederic Chaslin, Orquestra de la Comunitat Valenciana | B♭ Major | 1 | 6B | 175 BPM | ||
La fille du régiment: Overture | Gaetano Donizetti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | B♭ Major | 3 | 6B | 130 BPM | ||
La Bohème: Mi chiamano Mimi | Mirella Freni | D Major | 2 | 10B | 74 BPM | ||
Mozart: Don Giovanni, K. 527, Act 1: "Là ci darem la mano" (Don Giovanni, Zerlina) | Wolfgang Amadeus Mozart, Riccardo Muti, Susanne Mentzer, William Shimell, Wiener Philharmoniker | A Major | 1 | 11B | 67 BPM | ||
Orphée aux enfers, ACT 1, Premier tableau: la campagne aux environs d'Athènes: La femme dont le coeur (Eurydice) | Jacques Offenbach, Natalie Dessay, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | C Major | 1 | 8B | 106 BPM | ||
Bizet: Carmen, Act 2: "Toréador, en garde" (Amis d'Escamillo) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Kostas Smoriginas | F Major | 1 | 7B | 115 BPM | ||
Il Barbiere di Siviglia: Ecco, ridente in cielo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | ||
Faust: Choeur des soldats | Charles Gounod, Franz Bauer-Theussl, Choeurs de l'Opéra de Vienne, Wilhelm Loibner | A Major | 1 | 11B | 110 BPM | ||
None But the Lonely Heart, Op. 6 No. 6 | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Oleg Boshniakovich | D♭ Major | 0 | 3B | 93 BPM |