Cesare Sterbini, Gioachino Rossini, Pierre-Augustin Caron de Beaumarchais, Hermann Prey, Erika Köth, Richard Holm, Gottlob Frick, Berliner Symphoniker, Wilhelm Schüchter, Wilhelm Schuechter's 'Der Barbier von Sevilla (Il Barbiere di Siviglia) · Arien und Szenen in deutscher Sprache (2000 Digital Remaster), Act 1: Die Verleumdung, sie ist ein Lüftchen (La calunna è un venticello) (Basilio)' came out on April 12, 2013. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Rossini: Der Barbier von Sevilla (Electrola Querschnitte)". In this album, this song's track order is #5. In terms of popularity, Der Barbier von Sevilla (Il Barbiere di Siviglia) · Arien und Szenen in deutscher Sprache (2000 Digital Remaster), Act 1: Die Verleumdung, sie ist ein Lüftchen (La calunna è un venticello) (Basilio) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Der Barbier von Sevilla (Il Barbiere di Siviglia) · Arien und Szenen in deutscher Sprache (2000 Digital Remaster), Act 1: Die Verleumdung, sie ist ein Lüftchen (La calunna è un venticello) (Basilio) by Cesare Sterbini, Gioachino Rossini, Pierre-Augustin Caron de Beaumarchais, Hermann Prey, Erika Köth, Richard Holm, Gottlob Frick, Berliner Symphoniker, Wilhelm Schüchter, Wilhelm Schuechter having a テンポ of 106 with a half-time of 53 テンポ and a double-time of 212 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Walzer (a la Paganini), Op. 11 | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | D Major | 1 | 10B | 164 BPM | ||
Donna Diana: Overture | Emil Nikolaus von Reznicek, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 102 BPM | ||
Friska from Hungarian Rhapsody No. 2 | Franz Liszt, Zubin Mehta, Israel Philharmonic Orchestra | G Major | 2 | 9B | 78 BPM | ||
The Gadfly Suite, Op. 97a: V. Barrel-Organ Waltz | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | B♭ Major | 1 | 6B | 105 BPM | ||
Masquerade Suite: Mazurka | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A♭ Major | 3 | 4B | 178 BPM | ||
Masquerade Suite: Gallop | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Major | 1 | 9B | 104 BPM | ||
Concerto Per Due Violini, Archi E Cembalo B Flat Major RV 524: Andante | I Musici Di San Marco, Alberto Lizzio | D♭ Minor | 0 | 12A | 85 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
La Campanella, Op.7 | Niccolò Paganini, Igor Oistrakh, Natalia Zertslova | G Major | 1 | 9B | 118 BPM | ||
Grieg: Peer Gynt (Incidental Music), Op. 23, Act 2: No. 8, In the Hall of the Mountain King | Edvard Grieg, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | B Minor | 1 | 10A | 105 BPM |