Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar made "The Gadfly Suite, Op. 97a: V. Barrel-Organ Waltz" available on January 20, 1997. The duration of The Gadfly Suite, Op. 97a: V. Barrel-Organ Waltz is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. The Gadfly Suite, Op. 97a: V. Barrel-Organ Waltz's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Shostakovich: Gadfly Suite (The) / Five Days-Five Nights Suite". In this album, this song's track order is #5. In terms of popularity, The Gadfly Suite, Op. 97a: V. Barrel-Organ Waltz is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With The Gadfly Suite, Op. 97a: V. Barrel-Organ Waltz by Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar having a テンポ of 105 with a half-time of 52 テンポ and a double-time of 210 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. Paul's Suite, Op. 29, No. 2: IV. Finale, "The Dargason" | Gustav Holst, English Sinfonia, Howard Griffiths | C Major | 3 | 8B | 80 BPM | ||
King's Row (Suite) | Charles Gerhardt, RCA Symphony Orchestra | G Major | 3 | 9B | 97 BPM | ||
Lyric Suite, Op. 54: III. Notturno (Nocturne) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | C Major | 0 | 8B | 127 BPM | ||
Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: III. Foxtrot | Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons | G Major | 0 | 9B | 123 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Cinderella Suite No. 1, Op. 107: VII. Cinderella's Waltz | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | G Major | 3 | 9B | 194 BPM | ||
Chaminade: Flute Concertino, Op. 107 | Cécile Chaminade, Emmanuel Pahud, François Leleux, Orchestre de chambre de Paris | D Major | 1 | 10B | 83 BPM | ||
Polovetsian Dances from Prince Igor: Presto I | Alexander Borodin, George Szell, Cleveland Orchestra | D Minor | 3 | 7A | 109 BPM | ||
Beautiful Day | Dmitri Shostakovich, Sergey Krivobokov, Moscow Capella, Moscow Youth Chorus, Moscow Philharmonic Orchestra, Adriano | G Major | 3 | 9B | 92 BPM |