"Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: III. Foxtrot" by Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons was released on 1997. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 9 in the song's album "Shostakovich: Symphony No. 11 "The Year 1905", Jazz Suites & Tahiti Trot". In this album, this song's track order is #7. Based on our statistics, Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: III. Foxtrot's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: III. Foxtrot テンポ

With Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: III. Foxtrot by Dmitri Shostakovich, Philadelphia Orchestra, Mariss Jansons having a テンポ of 123 with a half-time of 62 テンポ and a double-time of 246 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.

Shostakovich: Suite for Jazz Orchestra No. 1, Op. 38a: III. Foxtrot キー

G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.