Leonard Bernstein, Della Jones, Jerry Hadley, Kurt Ollmann, London Symphony Chorus, London Symphony Orchestra made "Candide / Act II: 19. The Pilgrims' Procession / Alleluia" available on January 1, 1991. The duration of Candide / Act II: 19. The Pilgrims' Procession / Alleluia is about two minutes long, specifically at 2:41. This song does not appear to have any foul language. Candide / Act II: 19. The Pilgrims' Procession / Alleluia's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Based on our statistics, Candide / Act II: 19. The Pilgrims' Procession / Alleluia's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Candide / Act II: 19. The Pilgrims' Procession / Alleluia by Leonard Bernstein, Della Jones, Jerry Hadley, Kurt Ollmann, London Symphony Chorus, London Symphony Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 135 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Ludwig van Beethoven, Leonard Bernstein, New York Philharmonic | F Major | 1 | 7B | 117 BPM | ||
Le nozze di Figaro, K.492 - Original version, Vienna 1786 - Act 4: Le Nozze di Figaro, K. 492 - "Contessa, perdona...Ah tutti contenti" | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Ambrosian Opera Chorus, Lucia Popp, Barbara Hendricks, José van Dam, Agnes Baltsa, Felicity Palmer, Aldo Baldin, Neil Jenkins, Robert Lloyd, Donald Maxwell, Cathryn Pope, Catherine Denly, John Constable, Ruggero Raimondi | C Major | 3 | 8B | 125 BPM | ||
Capriol Suite: 4. Bransles | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 2 | 9B | 156 BPM | ||
Le carnaval des animaux, R. 125: 1. Introduction et Marche royale du Lion | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | G Major | 3 | 9B | 178 BPM | ||
Symphony No. 3 "Kaddish": I. "Invocation": Adagio | Leonard Bernstein, Michael Wager, Israel Philharmonic Orchestra | F Minor | 1 | 4A | 78 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | C Major | 3 | 8B | 106 BPM | ||
Japanese Suite, Op. 33: V. Dance under the Cherry Tree | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 85 BPM | ||
Piano Concerto No. 4 in G Major, Op. 58: III. Rondo (Vivace) - Live | Ludwig van Beethoven, Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | G Major | 1 | 9B | 140 BPM | ||
Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, Leonard Bernstein, New York Philharmonic | E Minor | 0 | 9A | 121 BPM | ||
Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM |