"Symphony No. 3 "Kaddish": I. "Invocation": Adagio" by Leonard Bernstein, Michael Wager, Israel Philharmonic Orchestra was released on January 1, 1978. The duration of Symphony No. 3 "Kaddish": I. "Invocation": Adagio is about 3 minutes long, at 3:00. Based on our data, "Symphony No. 3 "Kaddish": I. "Invocation": Adagio" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 10 in Bernstein: Chichester Psalms; Symphony No.3 "Kaddish" by Leonard Bernstein, Israel Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Symphony No. 3 "Kaddish": I. "Invocation": Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 3 "Kaddish": I. "Invocation": Adagio by Leonard Bernstein, Michael Wager, Israel Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Candide: V. Make Our Garden Grow | Leonard Bernstein, University of South Carolina Wind Ensemble, Scott Weiss | C Minor | 1 | 5A | 137 BPM | ||
Spanish Capriccio in A Major, Op. 34: I. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16 "Italian": II. Andante con moto | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 65 BPM | ||
A Quiet Place - Ed. Sunderland / Act 1: Postlude | Leonard Bernstein, Orchestre Symphonique de Montréal, Kent Nagano | E Minor | 0 | 9A | 86 BPM | ||
Der Rosenkavalier, Op.59 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 89 BPM | ||
Jazz Suite No. 2: VIII. Finale | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 141 BPM | ||
Verdi: La forza del destino: Overture to Act 1 | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti | F Minor | 1 | 4A | 88 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): Andante molto | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Minor | 1 | 7A | 123 BPM | ||
Sylvia: Act I: Valse lente | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 111 BPM | ||
Scènes de ballet, Op. 52: II. Marionnettes | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | D Major | 0 | 10B | 69 BPM |