Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic's 'Le carnaval des animaux, R. 125: 1. Introduction et Marche royale du Lion' came out on November 2, 2018. With Le carnaval des animaux, R. 125: 1. Introduction et Marche royale du Lion being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 31 in the song's album "Prokofiev: Peter and the Wolf, Op. 67 - Saint-Saens: Le Carnaval des animaux & Danse macabre". In this album, this song's track order is #17. The popularity of Le carnaval des animaux, R. 125: 1. Introduction et Marche royale du Lion is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le carnaval des animaux, R. 125: 1. Introduction et Marche royale du Lion by Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic having a テンポ of 178 with a half-time of 89 テンポ and a double-time of 356 テンポ, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eine Alpensinfonie, Op.64, TrV 233: 20. Sonnenuntergang | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | B Major | 3 | 1B | 78 BPM | ||
Aus aller Herren Landern (From Foreign Lands), Op. 23: I. Russian: Allegretto | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 0 | 8A | 87 BPM | ||
Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Homecoming (Stormy Evening on the Sea). Allegro agitato | Edvard Grieg, Leonard Bernstein, New York Philharmonic | D Major | 3 | 10B | 69 BPM | ||
Scheherazade, Op. 35: IV. Allegro molto "Festival at Baghdad" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | C Major | 2 | 8B | 84 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: XI. Auf dem Gletscher | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | D Minor | 5 | 7A | 97 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 85 BPM | ||
Variations on a Theme by Haydn, Op. 56a: Variation IV: Andante con moto | Johannes Brahms, Wiener Philharmoniker, Carlo Maria Giulini | B♭ Major | 3 | 6B | 83 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.5 in A Major (Allegro vivace) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | E Major | 3 | 12B | 142 BPM | ||
La source, ou Naila: Suite No. 2: Suite No. 2: Scene dansee | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 1 | 8B | 102 BPM | ||
Pskovityanka (The Maid of Pskov): Overture | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM |