Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein made "Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto)" available on January 1, 1982. With Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 18 in Elgar: Enigma Variations by Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein. Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) by Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein is Andante (at a walking pace), since this song has a tempo of 85 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 1 in E-Flat Major, S. 124: 3. Allegro marziale animato | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | E♭ Major | 3 | 5B | 71 BPM | ||
8 Slavonic Dances, Op.46: No.3 In A Flat (Poco allegro) - Live | Antonín Dvořák, Israel Philharmonic Orchestra, Leonard Bernstein | A♭ Major | 1 | 4B | 71 BPM | ||
Matinées musicales, Op. 24: 2. Nocturne | Benjamin Britten, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 0 | 4B | 77 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 5 in C Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | C Major | 2 | 8B | 102 BPM | ||
Symphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso - Live | Johannes Brahms, Wiener Philharmoniker, Leonard Bernstein | A♭ Major | 1 | 4B | 75 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Symphony No. 1 in D Major, Op. 25: I. Allegro | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: VII. Mélisande At The Spinning Wheel | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 140 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante - Live | Johannes Brahms, Wiener Philharmoniker, Leonard Bernstein | C Major | 0 | 8B | 82 BPM |