Edward Elgar, New Zealand Symphony Orchestra, James Judd's '5 Military Marches, Op. 39, "Pomp and Circumstance": No. 5 in C Major' came out on March 1, 2005. 5 Military Marches, Op. 39, "Pomp and Circumstance": No. 5 in C Major is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. The song is number 7 out of 11 in Elgar: Marches by Edward Elgar. In terms of popularity, 5 Military Marches, Op. 39, "Pomp and Circumstance": No. 5 in C Major is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 5 Military Marches, Op. 39, "Pomp and Circumstance": No. 5 in C Major by Edward Elgar, New Zealand Symphony Orchestra, James Judd is Andante (at a walking pace), since this song has a tempo of 102 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. Ravel): X. The Great Gate of Kiev | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 2 | 5B | 69 BPM | ||
L'Africaine (The African Maid), Act I: Overture: Act II: Entr'acte | Giacomo Meyerbeer, New Zealand Symphony Orchestra, Darrell Ang | E♭ Major | 3 | 5B | 120 BPM | ||
Le roi s'amuse: Gaillarde | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 96 BPM | ||
Elgar / Transc. Walter: Salut d'amour, Op. 12 | Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | E Major | 1 | 12B | 83 BPM | ||
Dolly, Op. 56: 5. Tendresse | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Symphony No. 2 in B Minor: IV. Finale | Alexander Borodin, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | D Major | 1 | 10B | 129 BPM | ||
6 Songs, Op. 107: VI. Abendlied, Op. 107 | Robert Schumann, Neeme Järvi, Detroit Symphony Orchestra | G Major | 5 | 9B | 98 BPM | ||
St. Paul's Suite, Op. 29, No. 2: III. Intermezzo | Gustav Holst, English Sinfonia, Howard Griffiths | E Minor | 1 | 9A | 132 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25 "Classical": I. Allegro | Sergei Prokofiev, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 101 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: II. Scherzo: Allegro | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | G Major | 2 | 9B | 115 BPM |