Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa's 'Dolly, Op. 56: 5. Tendresse' came out on January 1, 1987. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 14 in Faure: Pelléas et Mélisande by Gabriel Fauré, Lorraine Hunt, Jules Eskin, Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Dolly, Op. 56: 5. Tendresse is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dolly, Op. 56: 5. Tendresse by Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa is Andante (at a walking pace), since this song has a tempo of 98 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie Espagnole In D Minor, Op.21: 3. Intermezzo (Allegretto non troppo) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 1 | 8A | 115 BPM | ||
Fontane di Roma: IV. La fontana di Villa Medici al tramonto | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | A Major | 0 | 11B | 86 BPM | ||
Symphony No. 2 in E Minor, Op. 27: II. Allegro molto | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | F Major | 2 | 7B | 151 BPM | ||
String Quartet in E Minor, Op. 121: III. Allegro | Gabriel Fauré, Ad Libitum Quartet | E Minor | 0 | 9A | 136 BPM | ||
Elégie in C Minor, Op. 24 (Arr. Parkin) | Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max | A♭ Major | 0 | 4B | 88 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso (Tempo giusto) | Franz Liszt, Alexander Ullman, BBC Symphony Orchestra, Andrew Litton | A♭ Major | 1 | 4B | 73 BPM | ||
Also sprach Zarathustra, Op.30, TrV 176: Das Nachtwandlerlied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | B Major | 0 | 1B | 66 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.9 Wedding March | Felix Mendelssohn, Boston Symphony Orchestra, Seiji Ozawa | C Major | 2 | 8B | 74 BPM | ||
Symphony No. 5 in E-Flat Major, Op. 82: 1. Tempo molto moderato - Largamente - Allegro moderato | Jean Sibelius, Sir Colin Davis, Boston Symphony Orchestra | F Minor | 1 | 4A | 66 BPM | ||
Piano Quartet in E flat, Op. 47: 4. Finale (Vivace) | Robert Schumann, Menahem Pressler, Emerson String Quartet | E♭ Major | 1 | 5B | 141 BPM |