Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim's 'Symphonie Espagnole In D Minor, Op.21: 3. Intermezzo (Allegretto non troppo)' had a release date set for January 1, 1981. This song is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. The track order of this song in Itzhak Perlman, Orchestre de Paris, Daniel Barenboim, Camille Saint-Saëns, Édouard Lalo, Hector Berlioz's "Lalo: Symphony espagnole Op.21 / Saint-Saens: Concerto For Violin And Orchestra No. 3 In B Minor, Op. 61 / Berlioz: Reverie et Caprice Op. 8 For Violin And Orchestra" album is number 3 out of 9. In terms of popularity, Symphonie Espagnole In D Minor, Op.21: 3. Intermezzo (Allegretto non troppo) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphonie Espagnole In D Minor, Op.21: 3. Intermezzo (Allegretto non troppo) by Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim to be Moderato (at a moderate speed) because the track has a tempo of 115 テンポ, a half-time of 58テンポ, and a double-time of 230 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
6 Consolations, S. 172: No. 3 in D-Flat Major (Lento, placido) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 69 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
24 Caprices, Op.1 (2000 - Remaster): No. 10 in G Minor | Niccolò Paganini, Itzhak Perlman | G Minor | 4 | 6A | 101 BPM | ||
Lalo: Symphonie espagnole, Op. 21: III. Intermezzo. Allegro non troppo | Édouard Lalo, Anne-Sophie Mutter, Seiji Ozawa, Orchestre National De France | A Minor | 1 | 8A | 107 BPM | ||
Havanaise, Op. 83 | Camille Saint-Saëns, Howard Zhang, Nicolaus Esterhazy Sinfonia, Takuo Yuasa | E Major | 2 | 12B | 76 BPM | ||
Sarasate: Zigeunerweisen, Op. 20 | Pablo de Sarasate, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Minor | 1 | 5A | 75 BPM | ||
Sarasate: Introduction et Tarantelle, Op. 43 | Pablo de Sarasate, Itzhak Perlman, Abbey Road Ensemble | G Major | 2 | 9B | 117 BPM | ||
Leclair: Sonata for 2 Violins in E Minor, Op. 3 No. 5: III. Presto | Jean-Marie Leclair, Itzhak Perlman | G Major | 3 | 9B | 126 BPM |