Édouard Lalo, Anne-Sophie Mutter, Seiji Ozawa, Orchestre National De France's 'Lalo: Symphonie espagnole, Op. 21: III. Intermezzo. Allegro non troppo' came out on January 1, 1985. Lalo: Symphonie espagnole, Op. 21: III. Intermezzo. Allegro non troppo is about six minutes long, preciously at 6:18, making this song fairly long compared to other songs. The track order of this song in Édouard Lalo, Anne-Sophie Mutter, Seiji Ozawa, Orchestre National De France's "Lalo: Symphonie espagnole, Op. 21 - de Sarasate: Zigeunerweisen, Op. 20" album is number 3 out of 6. In terms of popularity, Lalo: Symphonie espagnole, Op. 21: III. Intermezzo. Allegro non troppo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lalo: Symphonie espagnole, Op. 21: III. Intermezzo. Allegro non troppo by Édouard Lalo, Anne-Sophie Mutter, Seiji Ozawa, Orchestre National De France to be Andante (at a walking pace) because the track has a tempo of 107 テンポ, a half-time of 54テンポ, and a double-time of 214 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Introduction and Tarantella, Op. 43 | Pablo de Sarasate, Joshua Bell, Nigel Hess | G Major | 1 | 9B | 106 BPM | ||
Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
Cello Sonata: II. Andante | Édouard Lalo, Valentin Radutiu, Per Rundberg | A Minor | 2 | 8A | 155 BPM | ||
Variations on a Theme of Rossini | Niccolò Paganini, Sebastian Bru | D Major | 2 | 10B | 176 BPM | ||
Syncopation | Fritz Kreisler, Ray Chen, Julien Quentin | G Major | 1 | 9B | 133 BPM | ||
Sarasate: Danzas españolas: Romanza andaluza, Op. 22, No. 1 | Pablo de Sarasate, Itzhak Perlman | C Major | 2 | 8B | 98 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): II. Adagio | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 108 BPM | ||
Nocturne No.19 In E Minor, Op.72 No.1 | Frédéric Chopin, Maurizio Pollini | B Major | 0 | 1B | 139 BPM | ||
Violin Concerto No. 1 in A Minor, BWV 1041: I. Allegro moderato | Johann Sebastian Bach, Hilary Hahn, Los Angeles Chamber Orchestra, Jeffrey Kahane | A Minor | 3 | 8A | 105 BPM | ||
Lalo: Symphonie espagnole, Op. 21: V. Rondo (Allegro) | Édouard Lalo, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | A Major | 1 | 11B | 82 BPM |