"Magnificat in C Minor" by George Dyson, The Choir of St. George's Church, Christopher Gray, Nigel McClintock was released on December 6, 1999. The duration of Magnificat in C Minor is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Magnificat in C Minor's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in The Choir of St. George's Church, Christopher Gray, Nigel McClintock's "Magnificat & Nunc dimittis, Vol. 19" album is number 15 out of 20. On top of that, United Kingdom appears to be the country where this track was created. Magnificat in C Minor is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Magnificat in C Minor by George Dyson, The Choir of St. George's Church, Christopher Gray, Nigel McClintock to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Songs of Faith: hope, faith, life, love | Eric Whitacre, Conspirare, Craig Hella Johnson | B♭ Major | 1 | 6B | 67 BPM | ||
Mass of the Americas: IX. Salve regina | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | E Major | 3 | 12B | 88 BPM | ||
Lord, for thy tender mercy's sake | Richard Farrant, Voices of Ascension Chorus, Voices of Ascension Orchestra, Dennis Keene | A♭ Major | 0 | 4B | 78 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Verbum caro factum est | Hans Leo Hassler, Gloriae Dei Cantores, Elizabeth C. Patterson | G Major | 1 | 9B | 94 BPM | ||
Jephte: Plorate, filii Israel | Giacomo Carissimi, Ängby Chamber Choir, Anders Colldén | F Minor | 1 | 4A | 71 BPM | ||
Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM | ||
Concerto da chiesa: III. Laetatus sum | George Dyson, Duncan Riddell, Helen Cox, Stuart Green, Timothy Walden, Bournemouth Symphony Orchestra, David Lloyd-Jones | F Major | 1 | 7B | 84 BPM | ||
Brahms : 7 Lieder Op.62 : III Waldesnacht | Johannes Brahms, Arnold Schoenberg Chor | D Minor | 2 | 7A | 76 BPM | ||
The Crucifixion: IX. Chorus – God so loved the world | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson | E Major | 2 | 12B | 76 BPM |