"Verbum caro factum est" by Hans Leo Hassler, Gloriae Dei Cantores, Elizabeth C. Patterson was released on May 9, 2006. The duration of Verbum caro factum est is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Verbum caro factum est's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gloriae Dei Cantores, Elizabeth C. Patterson's "Masters of the Renaissance" album is number 19 out of 29. On top of that, United States appears to be the country where this track was created. In terms of popularity, Verbum caro factum est is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Verbum caro factum est by Hans Leo Hassler, Gloriae Dei Cantores, Elizabeth C. Patterson to be Andante (at a walking pace) because the track has a tempo of 94 テンポ, a half-time of 47テンポ, and a double-time of 188 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hymn "Quicumque Christum" | Gloriae Dei Cantores, Elizabeth C. Patterson | F Major | 0 | 7B | 79 BPM | ||
Adesto dolori meo | Jacob Clemens non Papa, Musica Sacra | B♭ Major | 1 | 6B | 87 BPM | ||
Like as the Hart Desireth the Water Brooks, So Longeth My Soul After Thee, O God (Psalm 42) | Samuel Wesley, Gloriae Dei Cantores, Elizabeth C. Patterson, Unknown Artist | G Major | 2 | 9B | 101 BPM | ||
4 Motetten, Op. 133 (Excerpts): No. 3, Laudate Dominum | Josef Rheinberger, Gloriae Dei Cantores, Elizabeth C. Patterson | E♭ Major | 1 | 5B | 126 BPM | ||
Requiem: Psalm 121 | Herbert Howells, Conspirare, Craig Hella Johnson | B Minor | 0 | 10A | 65 BPM | ||
Tallis: Verily, Verily I Say Unto You | The Tallis Scholars, Peter Phillips | A♭ Minor | 1 | 1A | 91 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
Tantum ergo, WAB 43 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | A Major | 2 | 11B | 135 BPM | ||
Tallis: Lamentations of Jeremiah I - 2. Aleph | The Tallis Scholars, Peter Phillips | F Minor | 0 | 4A | 83 BPM | ||
Son of God Mass: Sanctus and Benedictus | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F Major | 1 | 7B | 131 BPM |