"Concerto da chiesa: III. Laetatus sum" by George Dyson, Duncan Riddell, Helen Cox, Stuart Green, Timothy Walden, Bournemouth Symphony Orchestra, David Lloyd-Jones was released on May 1, 2005. Concerto da chiesa: III. Laetatus sum is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. The song is number 4 out of 8 in Dyson: Symphony in G Major / Concerto Da Chiesa / At the Tabard Inn by George Dyson. Concerto da chiesa: III. Laetatus sum is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto da chiesa: III. Laetatus sum by George Dyson, Duncan Riddell, Helen Cox, Stuart Green, Timothy Walden, Bournemouth Symphony Orchestra, David Lloyd-Jones is Andante (at a walking pace), since this song has a tempo of 84 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Choral Symphony: III. Largo | George Dyson, Elizabeth Watts, Caitlin Hulcup, Joshua Ellicott, Roderick Williams, The Bach Choir, Bournemouth Symphony Orchestra, David Hill | E Minor | 1 | 9A | 127 BPM | ||
Jesu, the Very Thought of Thee | Edward Bairstow, York Minster Choir, Philip Moore | E♭ Major | 0 | 5B | 78 BPM | ||
Encircled | Will Todd, Tenebrae, Nigel Short | A Major | 0 | 11B | 72 BPM | ||
Enigma Variations. Nimrod: Lux Aeterna | Edward Elgar, London Choral Sinfonia | E Major | 1 | 12B | 87 BPM | ||
Mass in D major, Op. 86: 4. Sanctus | Antonín Dvořák, Christ Church Cathedral Choir, Oxford, Nicholas Cleobury, Simon Preston | D Major | 2 | 10B | 101 BPM | ||
The Canterbury Pilgrims: III. The Squire | George Dyson, Richard Hickox, London Symphony Orchestra, Yvonne Kenny, Robert Tear, Stephen Roberts, London Symphony Chorus, Malcom Hicks | B♭ Major | 2 | 6B | 86 BPM | ||
The Canterbury Pilgrims: X. The Doctor of Physic | George Dyson, Richard Hickox, London Symphony Orchestra, Yvonne Kenny, Robert Tear, Stephen Roberts, London Symphony Chorus, Malcom Hicks | B♭ Major | 2 | 6B | 86 BPM | ||
Mass for unaccompanied double choir: IV. Sanctus | Frank Martin, RIAS Kammerchor, Daniel Reuss | D Major | 1 | 10B | 85 BPM | ||
Liturgical Chants: 4 Spiritual Songs: Cherubic Song | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 80 BPM | ||
The Second Dirge Anthem: Man That Is Born of a Woman – In the Midst of Life – Thou Knowest, Lord, Z. 58b | Thomas Morley, Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 135 BPM |